Written with authority and enthusiasm, a treat for armchair musicologists, Gould fanatics and even those who never heard a...

A ROMANCE ON THREE LEGS

GLENN GOULD’S OBSESSIVE QUEST FOR THE PERFECT PIANO

A pianist’s love affair with his instrument, and the blind man who enabled it.

Glenn Gould (1932–82) was one of the most respected artists of classical music’s modern era. Piano tuner Charles Verne Edquist, on the other hand, is known only to a handful of music buffs. Both men were still boys in 1942, when the designers and manufacturers at Steinway & Sons began work on CD 318, a concert grand that Gould would one day conclude was the perfect instrument—and that Edquist would spend two decades tuning and revivifying from the pianist’s hard use. It wasn’t until 1960, four years after Gould became a classical bestseller with his recording of Bach’s Goldberg Variations, that he sat down to play CD 318 in a concert hall on the top floor of Toronto’s premier department store. It would be two more years before Gould connected with Edquist, who spent much of the next two decades adjusting CD 318 to meet the pianist’s demands for “hair-trigger action and lightning-fast repetition.” Plucky New York Times correspondent Hafner (Where Wizards Stay Up Late: The Origins of the Internet, 1996, etc.) weaves together three stories—of the pianist, the tuner and the piano itself—into a single cohesive narrative, the musical version of Seabiscuit (2001), as it were. She’s not distracted by Gould’s legendary quirks (the germ phobia, the grunting and whistling while performing) or his formidable loquacity. Drawing on hours of recorded interviews, she filters out the redundant and inconsequential to lucidly grasp the essential: the complex interaction among an artist, a craftsman and the precious tool they both revered.

Written with authority and enthusiasm, a treat for armchair musicologists, Gould fanatics and even those who never heard a note he played.

Pub Date: June 1, 2008

ISBN: 978-1-59691-524-4

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2008

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Reader Votes

  • Readers Vote
  • 21

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

more