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DEAR EMMA

Somewhat superficial, funny, and short.

A college junior with an advice column discovers that following her own counsel is easier said than done.

Harriet lives a fairly standard college life: hanging out with her two closest friends, going to classes, drinking, and enduring hangovers—all while secretly dispensing wisdom to peers in her advice column, "Dear Emma." Each week, students write in with dating and friendship problems, and Harriet replies with clearheaded and thoughtful solutions. After all, Harriet’s been an observer for so long that she’s developed a knack for identifying the hidden fault lines in others’ lives. But when she meets the enigmatic Keith in her Spanish Civil War class, everything changes; she’s finally at the center of her own drama, and the weeks that follow are a flurry of excitement, study dates, and road trips. As their texts fizzle out, though, Harriet’s plunged into despair. As she continues to harp on Keith, everything seems to be going wrong around her: she’s fighting with her roommate; going to the civil war class is torture; she spots a pretty girl writing on Keith’s Facebook wall. Things get interesting when that girl, a senior named Remy, begins working the same library shift as Harriet, whom she begrudgingly begins to befriend; and when Remy writes Emma asking whether she should break things off with Keith, Harriet is forced to re-evaluate the way she views guys, friendship, and the integrity of her column. Heaney’s (Never Have I Ever, 2014) debut novel is a relatable depiction of modern college romance, and Harriet, despite her annoying obsession with Keith, has an endearingly humorous voice (“I have been waiting my whole life to quiz a hot guy in the library and now that it’s here I’m like, not ready”). However, the novel’s scope is so limited that it may not hold readers’ attention. College can indeed be a bubble, but Harriet’s sole focus on guys and day-to-day dramas precludes more complicated or long-term plotlines—which could have transformed Harriet from a merely humorous character into a well-rounded, satisfying one.

Somewhat superficial, funny, and short.

Pub Date: March 1, 2016

ISBN: 978-1-455-53460-9

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: Dec. 6, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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