A minutely observed novel of infidelity unsettles its characters and readers.

A SEPARATION

Dread and lassitude twist into a spare and stunning portrait of a marital estrangement.

At the end of this unsettling psychological novel, the narrator suggests that “perhaps wife and husband and marriage itself are only words that conceal much more unstable realities, more turbulent than can be contained in a handful of syllables, or any amount of writing.” Kitamura’s third work of fiction builds into a hypnotic meditation on infidelity and the unknowability of one’s spouse. In precise and muted prose, the entire story unspools in the coolly observant mind of a young woman, a translator. She is estranged from Christopher Wallace, her “handsome and wealthy” husband of five years. He is a relentless adulterer; the narrator herself is now living with another man. The novel begins with a phone call from Isabella, a hostile and unpleasant mother-in-law, petulant that she can’t reach her only son and ignorant of the separation. Christopher has decamped to rural Greece, and Isabella insists her daughter-in-law leave England to go after him. Thinking it time to ask for a divorce, she agrees. In the remote fishing village of Gerolimenas, there are grim portents: stray dogs, high unemployment, a landscape charred from a season of wildfires, and the hostility of a hotel receptionist who appears to have slept with Christopher. Each of 13 taut chapters turns the screw; at the beginning of the seventh there is a murder. Kitamura leaves it unsolved. Instead of delivering a whodunit, the author plucks a bouquet of unforeseen but psychologically piercing consequences. The narrator thinks, “One of the problems of happiness—and I’d been very happy, when Christopher and I were first engaged—is that it makes you both smug and unimaginative.” As this harrowing story ends, her life is diminished and her imagination is cruelly awake.

A minutely observed novel of infidelity unsettles its characters and readers.

Pub Date: Feb. 7, 2017

ISBN: 978-0-399-57610-2

Page Count: 240

Publisher: Riverhead

Review Posted Online: Nov. 23, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE GREAT ALONE

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 31, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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