A minutely observed novel of infidelity unsettles its characters and readers.

A SEPARATION

Dread and lassitude twist into a spare and stunning portrait of a marital estrangement.

At the end of this unsettling psychological novel, the narrator suggests that “perhaps wife and husband and marriage itself are only words that conceal much more unstable realities, more turbulent than can be contained in a handful of syllables, or any amount of writing.” Kitamura’s third work of fiction builds into a hypnotic meditation on infidelity and the unknowability of one’s spouse. In precise and muted prose, the entire story unspools in the coolly observant mind of a young woman, a translator. She is estranged from Christopher Wallace, her “handsome and wealthy” husband of five years. He is a relentless adulterer; the narrator herself is now living with another man. The novel begins with a phone call from Isabella, a hostile and unpleasant mother-in-law, petulant that she can’t reach her only son and ignorant of the separation. Christopher has decamped to rural Greece, and Isabella insists her daughter-in-law leave England to go after him. Thinking it time to ask for a divorce, she agrees. In the remote fishing village of Gerolimenas, there are grim portents: stray dogs, high unemployment, a landscape charred from a season of wildfires, and the hostility of a hotel receptionist who appears to have slept with Christopher. Each of 13 taut chapters turns the screw; at the beginning of the seventh there is a murder. Kitamura leaves it unsolved. Instead of delivering a whodunit, the author plucks a bouquet of unforeseen but psychologically piercing consequences. The narrator thinks, “One of the problems of happiness—and I’d been very happy, when Christopher and I were first engaged—is that it makes you both smug and unimaginative.” As this harrowing story ends, her life is diminished and her imagination is cruelly awake.

A minutely observed novel of infidelity unsettles its characters and readers.

Pub Date: Feb. 7, 2017

ISBN: 978-0-399-57610-2

Page Count: 240

Publisher: Riverhead

Review Posted Online: Nov. 23, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Did you like this book?

No Comments Yet

THE PRINCE OF TIDES

A NOVEL

A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

Did you like this book?

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

Reader Votes

  • Readers Vote
  • 13

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

Did you like this book?

more