A real shot to the heart—a resonant portrait of a man out to prove he can take anything the world throws at him.
Down-on-his-luck fighter travels south of the border for the rematch of his life.
In her debut novel, journalist Kitamura indulges her interest in the mechanics of the mixed martial arts world with a sketch of two men at the edge of an emotional cliff. With throaty prose and peripheral detail, the author captures three decisive days in the lives of Cal, a wunderkind pugilist four years past a humiliating defeat, and Riley, Cal’s trainer and protector, who knows quite well what it’s like to spit out your own teeth. Their authentic, even touching partnership comes complete with the old arguments and terse verbal shorthand of longtime comrades. Their path has brought them back to the bloody rings of Tijuana for a rematch against Cal’s nemesis Rivera, a bloodthirsty, one-punch titan whose claim to the championship has brought him acclaim and affluence. Cal, meanwhile, has been on unsteady psychological ground ever since Rivera beat him four years ago. “Fighting was never easy again. He took some losses. He sat and waited for his head to get back into the game. He waited fight after fight and then it hit him how long he’d been waiting. It hit him, how far away the game had gone. He saw it for the first time and he was bewildered by it. That the whole thing could be so fragile. That it could fall away so quick.” The plot resolution is all but inevitable, the narrative short on momentum and long on self-realization, but Kitamura succeeds in penning a satisfactory addition to the canon of fight literature. While neither as heady as Chuck Palahniuk’s Fight Club nor as visceral as Craig Davidson’s The Fighter, this convincing meditation on combat skews admirably close to the stories of F.X. Toole as it plunges toward its harrowing ending.
A real shot to the heart—a resonant portrait of a man out to prove he can take anything the world throws at him.Pub Date: Aug. 11, 2009
ISBN: 978-1-4391-0752-2
Page Count: 224
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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