A compelling exercise in worldbuilding and genre blending that toggles among the recent past, present, and near future.
Set primarily in California, this short-story collection mixes the mundane and the bizarre with an authority stemming from its concrete sense of place.
This collection of linked stories takes its name from a hypothesis positing that small mammals may grow larger on islands while large mammals may grow smaller. While teaching a geography class at San Diego State University at the outset of the Obama administration, a professor reflects on how the theory manifests in her home country, a nameless island nation run by a dictator known for dressing in skimpy bathing suits. Ostensibly protecting her small daughter from bad influences, a San Francisco mother takes a dislike to a clique of schoolgirls who hang out near her home, inviting more trouble than she can possibly realize. Some of the stories stay firmly or mostly anchored in realism, focusing on characters and conflicts that feel all too plausible: A child of divorce forced to move from Oklahoma to Minnesota disappears; a perpetually single woman is invited camping by an old friend; a survivalist teaches her nephew the ruthless ways of the wild. Other stories, however, veer into supernatural or dystopian territory. A Hollywood agent has a monstrous encounter during a drug trip. A professional image rehabilitator “polish[es]” reputations for a living. Characters sometimes recur, typically in the form of passing references, but certain objects, events, and threats serve as the overarching throughline: a set of teeth extracted from the mouth of a 17th-century Norwegian explorer, mysterious mounds of human bones that fuel rumors of a serial killer on the prowl, the tragic death of a cosmonaut in a spaceflight accident, the constant specter of environmental disaster. Some stories feel tighter and more polished than others, and the collection as a whole could be more cohesive, but the overall effect is appealingly weird, as if the uncanny valley took literary form.
A compelling exercise in worldbuilding and genre blending that toggles among the recent past, present, and near future.Pub Date: March 5, 2024
ISBN: 9781982122201
Page Count: 288
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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