Combine this with a nonfiction look at hibernation to round out a winter storytime.
The forest creatures from Too Many Carrots (2016) who were so put out by Rabbit’s foodstuff this time are vexing to Tortoise, who is trying to hibernate.
The opening spread is somnolent and peaceful, picturing Tortoise bedded down on a platform in a tree under a tentlike piece of fabric. A sign reads “DO NOT DISTURB (until Spring).” But close observers will see another sign on the tree and a robin winging toward it. A change in perspective reveals Robin’s plan for a Christmas singing class. Grumpy Tortoise refuses Robin’s offer to join, stating “Tortoises don’t like winter” in what will become a repeated refrain. Packing up, he moves on, but his slumber is interrupted by Rabbit’s carving ice sculptures, and then by Squirrel and Rabbit’s snowball fight, and finally by Beaver’s tree-felling. By this time readers will be ready for the punch line, and Hudson delivers it in spades: Tortoise’s final resting spot is a flat piece of wood at the top of a hill: a sled! And even a winter-hating hibernator cannot help but delight in the downhill ride, which is followed by some sliding on the icy pond with friends. The ending finds all but Tortoise asleep together indoors. Hudson’s detailed and colorful artwork is sure to attract attention, and the animals are cuddly cute with expressive faces, especially Tortoise’s.
Combine this with a nonfiction look at hibernation to round out a winter storytime. (Picture book. 3-7)Pub Date: Sept. 1, 2017
ISBN: 978-1-62370-869-6
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
A reassuring riff on embracing imperfections.
A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.
Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.
A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)Pub Date: April 21, 2026
ISBN: 9798217051748
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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