by Katy Tur ‧ RELEASE DATE: Sept. 12, 2017
A thoughtful account of covering what the author rightly calls “the most unlikely, exciting, ugly, trying, and all-around...
One of Donald Trump’s favorite media targets tells how she attained that distinction in this spry look at the 2016 campaign.
NBC News correspondent Tur covered the presidential campaign from the very start, with Trump in her sights for more than 500 grueling days. At the beginning, she writes, she informed the disbelieving hosts of Today that, even after Trump’s opening remark that “when Mexico sends its people, they’re not sending their best,” he was polling strongly in bellwether New Hampshire. “Trump wasn’t part of anyone’s plan,” she writes, adding, “for that matter, neither was I.” However, Trump managed to tap into a deep well of resentment and anger among disaffected voters who were content to trade in old notions of truth and decency for Trump’s wild ride. Trump’s own encounters with Tur were just as resentful and angry: he complained that she wouldn’t look at him and was distorting words she was quoting verbatim, and she had a special knack for upsetting him. “His rage didn’t register in the moment,” she writes in a post-mortem of an early encounter. “I thought it was all part of his shtick. The reality show star. But watching his face on-screen, it’s clear Trump isn’t playing.” Still, praise came from the author’s colleagues, and even, on occasion, from Trump himself, who grudgingly allowed that Tur was better than most reporters. In Tennessee, “he tried to introduce me to a crowd…a hand on my shoulder like I was his wife.” Trump’s anger, page after page of it, is discomfiting, and Tur’s reactions to it seem to verge on symptoms of PTSD. Even so, her own back-of-the-envelope analyses are borne out by subsequent events, as when she writes, “Trump is crude, and in his halo of crudeness other people get to be crude as well.”
A thoughtful account of covering what the author rightly calls “the most unlikely, exciting, ugly, trying, and all-around bizarre campaign in American history.”Pub Date: Sept. 12, 2017
ISBN: 978-0-06-268492-9
Page Count: 304
Publisher: Dey Street/HarperCollins
Review Posted Online: Sept. 12, 2017
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SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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