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UNBELIEVABLE

MY FRONT-ROW SEAT TO THE CRAZIEST CAMPAIGN IN AMERICAN HISTORY

A thoughtful account of covering what the author rightly calls “the most unlikely, exciting, ugly, trying, and all-around...

One of Donald Trump’s favorite media targets tells how she attained that distinction in this spry look at the 2016 campaign.

NBC News correspondent Tur covered the presidential campaign from the very start, with Trump in her sights for more than 500 grueling days. At the beginning, she writes, she informed the disbelieving hosts of Today that, even after Trump’s opening remark that “when Mexico sends its people, they’re not sending their best,” he was polling strongly in bellwether New Hampshire. “Trump wasn’t part of anyone’s plan,” she writes, adding, “for that matter, neither was I.” However, Trump managed to tap into a deep well of resentment and anger among disaffected voters who were content to trade in old notions of truth and decency for Trump’s wild ride. Trump’s own encounters with Tur were just as resentful and angry: he complained that she wouldn’t look at him and was distorting words she was quoting verbatim, and she had a special knack for upsetting him. “His rage didn’t register in the moment,” she writes in a post-mortem of an early encounter. “I thought it was all part of his shtick. The reality show star. But watching his face on-screen, it’s clear Trump isn’t playing.” Still, praise came from the author’s colleagues, and even, on occasion, from Trump himself, who grudgingly allowed that Tur was better than most reporters. In Tennessee, “he tried to introduce me to a crowd…a hand on my shoulder like I was his wife.” Trump’s anger, page after page of it, is discomfiting, and Tur’s reactions to it seem to verge on symptoms of PTSD. Even so, her own back-of-the-envelope analyses are borne out by subsequent events, as when she writes, “Trump is crude, and in his halo of crudeness other people get to be crude as well.”

A thoughtful account of covering what the author rightly calls “the most unlikely, exciting, ugly, trying, and all-around bizarre campaign in American history.”

Pub Date: Sept. 12, 2017

ISBN: 978-0-06-268492-9

Page Count: 304

Publisher: Dey Street/HarperCollins

Review Posted Online: Sept. 12, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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