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YONDER MOUNTAIN

A CHEROKEE LEGEND

Chief Sky, looking for a new leader for his people, sends three young men to the top of the distant mountaintop, to bring him back what they find there. One, who goes part way up the mountain, finds lodes of valuable stones, and brings one back. The second goes a little farther, and returns after he finds forests of healing herbs. The last man brings nothing in his hands—he returns late, torn and bleeding, and tells that from the top of the mountain he could see beyond the valley and to the next mountain, where he saw a smoke signal calling for help. Chief Sky makes this man chief, saying, “We need one who has seen beyond the mountain to other people who are in need.” Bannon, who worked with the late Reverend Bushyhead and heard him tell this story in English and Cherokee, retells it here in clear and straightforward prose that reads well aloud. She includes a few words in Cherokee, repeated in a short glossary at the end. Though she says, “The translations have been specially written using the English alphabet so that you can sound them out,” there is no pronunciation guide for such words as “Yo:na” or “Uwoha?li.” A foreword by Joseph Bruchac sets this in a historical context, pointing out that this teaching story is not among those popularized by James Mooney’s classic 1900 translations of Cherokee stories, but is a classic told from generation to generation. Rodanas’s (The Little Drummer Boy, 2002, etc.) realistic color pencil and watercolor illustrations in rich autumn colors depict the specific dress and homes of the early Eastern Woodland Cherokee. Though this isn’t a title that will jump out at young readers, teachers looking for Native American folktales will appreciate this as a group read-aloud. (Folktale. 7-10)

Pub Date: Sept. 1, 2002

ISBN: 0-7614-5113-7

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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