by Kaye Freemartin ‧ RELEASE DATE: N/A
A dark and compelling tale of violence and dementia in colonial Massachusetts, with an unforgettable young girl at the heart...
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A historical novel of psychological suspense explores 17th-century New England.
Freemartin’s (The Cult of Scorpio, 2015, etc.) work opens in 1680 in Greenwood Village, a small Massachusetts Bay Colony town near enough to Boston to buy city fineries but far enough away to seem most often like an alien world. Judith Temple, the town’s midwife and apothecary, is an unconventional, free-spirited woman who has taken in as her apprentice a 10-year-old Native American orphan she names Vigory. They form one of the book’s narrative focal points. Judith and Vigory are outsiders to the strict and sometimes borderline-hysterical religious conservatism of the town, a Cotton Mather-style righteousness that’s spearheaded by Harriet Browne, the wife of the village’s constable. Freemartin portrays the relationship between Judith and Vigory with subtle compassion as a blend of teacher-student and mother-daughter (“Vigory attacked all Judith taught her with vigor; she did everything with a serious and vigorous sincerity, from eating to working, to those rare moments of play that children in the colony can find between harvest and planting season”). This stands in stark contrast to the twisted combination of hatred and abuse that Harriet feels for her grossly overweight daughter, Miriam. When Harriet declares that Greenwood should undergo a fast to recover God’s grace and her own daughter rebels, the tension festers into a cloud of psychological gloom that should be familiar to any student of the Salem witch trials. In this complex and insightful tale, Miriam remains the strangest and most striking character (“You could get lost following the expansive curves of her body, every line always radiating away from the core, the center of her being”). Her behavior becomes increasingly peculiar, and the town is visited with torrents of rain, an infestation of frogs, and other woes that lend themselves readily to supernatural explanations. Freemartin propels this plot forward with a sure hand and a sharp, knowing ear for revealing dialogue. Her powers of imagery are strong throughout (about Boston: its streets were “laid out like poorly set bones”). And the novel’s climax, which might seem overwrought in less skillful hands, is instead hold-your-breath gripping.
A dark and compelling tale of violence and dementia in colonial Massachusetts, with an unforgettable young girl at the heart of it all.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: CreateSpace
Review Posted Online: May 26, 2017
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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