by Keith Ablow ‧ RELEASE DATE: July 9, 1997
First-rate debut thriller involving forensic psychology by practicing psychiatrist Ablow (The Strange Case of Dr. Kappler: The Doctor Who Became a Killer, 1994). Ablow's protagonist, forensic psychologist Frank Clevenger, makes for a distinctly unusual hero: He repeatedly falls off the wagon, goes from one billowing, self-defeating obsession to the next, buys coke on borrowed money, buys sex at nude dance bars, bottomlessly gulps scotch, gambles, drives drunk, digs S&M, can't pay his bills, solicits his mother for drug money, and more. The upside is that Clevenger's terrific insight into abnormal behavior may in fact be just because he's so twisted himself, a result, it's suggested, of his being the product of an alcoholic, suicidal, abusive father and a promiscuous mother. Now Frank is called in by Chief Emma Hancock to help send up the killer who murdered a young woman and cut her breasts off. A homeless nut wants to confess, but Frank, after interviewing him, says no. When her own niece becomes the madman's second victim, Emma gives Frank free rein to chase the perp and throws in three grams of coke to keep him stable. Meanwhile, Frank has huge fights with his live-in mate, Kathy, an ob-gyn who delivers babies all day and keeps leaving Frank because he won't quit the coke. Following leads to his favorite girlie bar, where he sits in ``Perverts' Row'' and feeds money to naked dancers, Frank finds himself attracted to Rachel, a star-crossed lady who analyzes him more keenly than he can himself. Ablow's main subject here is psychology, not melodrama, and, yes, he's written a cautionary tale. But, like The Lost Weekend, it ends with the hero still self-deluded and in denial—with Clevenger thinking, against the evidence, that he's on the road to recovery. A novel for the self-destructive in all of us. *justify no*
Pub Date: July 9, 1997
ISBN: 0-679-44211-1
Page Count: 272
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1997
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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