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THE MAN OF NUMBERS

FIBONACCI'S ARITHMETIC REVOLUTION

A wonderful book for history-of-science buffs that will also amuse math teachers, because the many problems and solutions...

Three cheers for Leonardo Pisano, nicknamed Fibonacci, heralded by NPR’s “Math Guy” Devlin (Mathematics Education for a New Era: Video Games as a Medium for Learning, 2011, etc.) as the man who introduced Hindu-Arabic numbers (0 to 9) and rules of arithmetic to Europe in the 13th century.

The author writes that by far the most important contribution that Pisano native made to Western culture was not the Fibonacci numbers (the series in which each term is the sum of the two previous terms, e.g., 1,1,2,3,5,8,13—celebrated in The Da Vinci Code) but the replacement of Roman numerals with the familiar 10 digits and place notation. That was a boon to merchants and bankers, moneychangers and tax collectors, just when the world was poised for the science and technology discoveries of the Renaissance. It all came about because Pisano’s father, a customs official, took his teenage son with him to North Africa, where the boy learned about the numerical system that Arab traders had brought from India. Devlin makes clear that he was not a passive transmitter of new knowledge but a gifted thinker whose magisterial Liber Abaci (Book of Calculation), published in 1202, and later popularizations, as well as works in algebra and geometry, mark him as one of mathematics’ great minds. As for the series, Pisano wrote that it was known early on to Indian scholars, and he stated it as a problem to determine how many rabbits a fertile pair would produce in a year “when it is the nature of them in a single month to bear another pair. And in the second month those born to bear also.”

A wonderful book for history-of-science buffs that will also amuse math teachers, because the many problems and solutions included are simply medieval versions of the word problems that are the bane of many high-school students.

Pub Date: July 5, 2011

ISBN: 978-0-8027-7812-3

Page Count: 192

Publisher: Walker

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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