With ghostly visions and otherworldly experiences throughout, the story occupies both real and imagined worlds, but it fails...
Donohue’s second novel (The Stolen Child, 2006) concerns a mysterious child who attempts to repair a broken family.
When a runaway child calling herself Norah Quinn shows up on the elderly Margaret’s front steps on a cold winter night, Margaret instinctually takes her in with hardly any questions asked. It is 1985, though Margaret’s formal speech sounds practically archaic, and Norah’s alternating precocious and childlike mannerisms are unnatural. Norah claims to be the daughter of Margaret’s daughter, Erica, who ran away from home as a teenager in the ’60s to join a cult revolutionary group, the Angels of Destruction. Norah quickly makes an indelible impression on Margaret, as well as a fellow third-grader, Sean. Norah and Sean get into scrapes suitable to their age, but their dialogue, internal thoughts and certain actions are entirely inappropriate for nine-year-olds. Despite the bizarre circumstances, Norah quickly feels at home and the reclusive widow Margaret feels a void has been filled. But soon, Norah seems to be at the center of supernatural occurrences. She develops a tribe of followers, the religious connotations of which are uncomfortable at best, and makes enemies among the town parents while simultaneously orchestrating the search for Erica and holding steadfastly to her beliefs, never probed but left at the hackneyed “you need not see to believe.” Her mechanical displays of emotion are downright creepy, and many of her “grand plans” aren’t grand at all. The premise that Norah will rebuild the Quinn family is not supported by the plot; other characters prove to be bigger players in that mission. It is the unseen catalyst for all of these events, Erica, whose story proves the most fascinating.
With ghostly visions and otherworldly experiences throughout, the story occupies both real and imagined worlds, but it fails to do so in a captivating or credulous way, and the entire narrative feels shrouded in clouds from beginning to end.Pub Date: March 3, 2009
ISBN: 978-0-307-45025-8
Page Count: 368
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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