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LIFERS

A sharp and perceptive SF meditation on the blessings and curses of old age.

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Social, economic, and ethical upheaval ensues after a viral mutation causes people to stop dying of old age in McWalter’s SF novel.

In the early-to-mid-21st century, a widespread, infectious “Methuselah syndrome” spreads, affecting more than half the populace. For those infected by this quasi-plague, death by old age takes a holiday: “Negligible senescence resulting from the reprogramming of the human epigenome by a virally delivered artificial protein package.” Unless an infected person was already dying from a deadly disease, such as cancer, their mind remains sharp and their body generally remains spry and serviceable as they age. Natural death rates plummet, and the population rises to 10 billion as a consequence. Economies can no longer expect inherited wealth, with long-lived “Lifers” (also known as “Lingerers” and “triplers”) aging past 120 and continuing to draw on their savings. In the social and economic chaos that ensues, younger generations begin to see their once-cherished elders as detrimental parasites—and an undesirable minority. As a result, violence increases and murder rates rise, and anti-Lifer politicians, including the president of the United States, call for some type of organized response—one that could involve internment camps and/or organized euthanasia. Readers know that it was a few rogue geneticists who unleashed the original Methuselah contagion—and one of them subsequently died by suicide, rather than face the results. The rest of humanity, though, perseveres in thinking that this virtual immortality evolved naturally, or is a gift from God—or, conversely, is some kind of religious abomination.

McWalter sets a cast of interconnected characters on a search for a solution to the crisis. They include Adele Pritchard, a semiretired CIA biowarfare specialist; Adele’s former lover, Dan Altman, and his wife, Marion, who try to form an armed, protective all-Lifer sanctuary city in Colorado; and Dan and Marion’s granddaughter, Claire, who’s been appointed to lead the government’s ominous new Department of Longevity Management and tasked with stripping the ultra-aged of all legal and human rights. Dan and Marion’s son, Nolan, oversees the implementation of a pro-death medical treatment—a potentially lucrative corporate commission. Although McWalter’s novel opens on a tense abduction scenario and distinguishes the third act with a pulse-pounding drone attack, it’s largely a slow-burn narrative of policy-change descriptions and year-by-year updates of the bizarre new paradigm. Various characters deal with issues of betrayal, survival, illness, loss, treachery, and diplomacy in psychologically insightful prose with details that are often disturbingly persuasive. Readers only get hints about the dystopian successor to the United States in which this social revolution unfolds; apparently, the country partially disbanded, with blame falling on Donald Trump, who died before he could contract Methuselah; part of the resulting backlash involved the deliberate dismantling of the internet. The science-minded will be reassured that the biomedical aspects are comprehensible; SF regulars, meanwhile, may wish to compare McWalter’s savvy speculative visions to author Philip José Farmer’s classic novella Seventy Years of Decpop (1972).

A sharp and perceptive SF meditation on the blessings and curses of old age.

Pub Date: Oct. 15, 2024

ISBN: 9781684632763

Page Count: 328

Publisher: SparkPress

Review Posted Online: May 19, 2026

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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PROPHET SONG

Captivating, frightening, and a singular achievement.

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As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.

For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).

Captivating, frightening, and a singular achievement.

Pub Date: Dec. 5, 2023

ISBN: 9780802163011

Page Count: 320

Publisher: Atlantic Monthly

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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