Strong lead characters, but this stalls after a promising start.
In his debut novel, Gumbs brings two strangers into a romantic entanglement.
In this first volume of a planned series, Gumbs introduces readers to Jaacyn and Georgia, who start at odds but become lovers in a very unlikely scenario. The UDM in the title stands for “uniquely defining moment” (among other things), and each character undergoes certain testing situations. In the beginning, Jaacyn, a black man from Anguilla, is stalking Georgia, a white woman, until both are injured in a terrorist subway bombing, after which they are inexplicably drawn together. Each has secrets that Gumbs never addresses. Georgia escaped from and was paid off by a secret organization, which she still fears. Jaacyn communicates telepathically with an unseen being named Protocol. Gumbs spends many pages on flat secondary characters: Georgia’s caring but weak-willed mother, Vernie; her bigoted father, Malcolm; and Jaacyn’s easily conned cousin Curtiss. These characters seem to exist largely to be recipients of Jaacyn’s lectures on societal ills: “If you believe race is that important, you’re of the wrong race.” Gumbs’ plot hinges on the development of Jaacyn and Georgia’s relationship; they are both intriguing leads, but they still fail to learn much of substance about each other. Instead, there’s too much of Curtiss’ running to Jaacyn for loans to cover his debts, Vernie’s health scare, and Malcolm’s fretting about his daughter keeping company with a black man. There are also several chapters about Jaacyn’s bizarre night with a prostitute. Every time it seems like a reveal about either Jaacyn or Georgia might be imminent, the meandering narrative diverts to a secondary character and his or her problem. As a result, by novel’s end, there is little impetus for readers to continue to future books in this series.
Strong lead characters, but this stalls after a promising start.Pub Date: Sept. 2, 2017
ISBN: 978-1-4787-8977-2
Page Count: 298
Publisher: Outskirts Press
Review Posted Online: May 29, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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