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THE BOOK

A COVER-TO-COVER EXPLORATION OF THE MOST POWERFUL OBJECT OF OUR TIME

A splendid, challenging mixture of information and fun.

From barely decipherable scratches on ancient surfaces to the latest bestseller: a history of the book, its numerous ancestors, and its underlying technologies.

Houston, who has written a history of punctuation (Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks, 2013), returns with a text that is erudite, playful, and illuminating. His massive research informs his discussion—research he has absorbed so well that it seems to flow effortlessly from his pen. Accompanied by many useful illustrations, the text approaches the subject in several ways: the author recounts the history of the writing surfaces and implements humanity has used (from papyrus to paper, reed to keyboard), rehearses the evolution of illustrations in texts (from illuminated manuscripts to our contemporary mass-produced pages), and describes the advance from the scroll to the codex. In each of these major sections, Houston is both witty and intensely detailed, thus appealing both to general readers and to bibliophiles who will wish to know the specifics of making papyrus, of stitching together pages, and of learning how we arrived at today’s paper sizes. Humor appears almost always in the punny, allusive chapter titles—e.g., “Etching a Sketch: Copperplate Printing and the Renaissance.” The author calls out onto his stage numerous principals in his play—names not widely known—and gives them their due, among them Flemish scribe Colard Mansion (the first to use engraved copper plates in the late 15th century) and Martial, a Roman poet, whose first-century (C.E.) volume is the first known use of the codex. Houston also continually refers to the published version of the book he is writing, pointing out its similarities to others, ancient and contemporary. And we sometimes have to “unlearn” things we thought we knew—e.g., Gutenberg’s first book was not the Bible but rather a grammar text.

A splendid, challenging mixture of information and fun.

Pub Date: Aug. 23, 2016

ISBN: 978-0-393-24479-3

Page Count: 416

Publisher: Norton

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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