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GLITTER AND GLUE

A MEMOIR

Written in a breezy style with humor and heart, the book reminds us how rewarding it can be to see a parent outside the...

Corrigan’s third book (Lift, 2010, etc.) deals with the layered relationship between mother and daughter.

The glitter refers to her father, George, her cheerleader, “almost impossible to frustrate or disappoint.” The glue, her mother, Mary, with whom she had an “adversarial but functional” relationship, held things together with her pragmatism. After college, when Corrigan decided to go on a multicountry odyssey, her father responded, “Fantastic!” Her mother: “You should be using that money to get established, get your own health insurance, not traipse all over creation.” Ironically, it was Corrigan’s travels that led her to appreciate her mother’s point of view. The author ran out of money in Australia and took a job as a live-in nanny for a widower. John Tanner hired her to look after his two children while he traveled for his job as an airline steward, but it was a dysfunctional household: There was John, who seldom smiled; Martin, the open, affectionate 5-year-old; Milly, the resentful 7-year-old; Pop, their 84-year-old grandfather; and Evan, John’s grown stepson. “If this family were a poker hand, you’d fold,” writes Corrigan. “Without that middle card, it’s an inside straight, and those almost never work out.” Aside from a friendly flirtation with Evan, the action is internal as Corrigan called upon her mother’s directives to help her provide some stability for the family. The most affecting part of the narrative is her struggle to connect emotionally with Milly and her realization that “maybe the reason my mother was so exhausted all the time wasn’t because she was doing so much but because she was feeling so much.”

Written in a breezy style with humor and heart, the book reminds us how rewarding it can be to see a parent outside the context of our own needs. It's that illumination that allows Corrigan to turn what starts as a complaint about her mother into a big thank you.

Pub Date: Feb. 11, 2013

ISBN: 978-0-345-53283-1

Page Count: 240

Publisher: Ballantine

Review Posted Online: Dec. 13, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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