by Kelly Corrigan ‧ RELEASE DATE: Feb. 11, 2013
Written in a breezy style with humor and heart, the book reminds us how rewarding it can be to see a parent outside the...
Corrigan’s third book (Lift, 2010, etc.) deals with the layered relationship between mother and daughter.
The glitter refers to her father, George, her cheerleader, “almost impossible to frustrate or disappoint.” The glue, her mother, Mary, with whom she had an “adversarial but functional” relationship, held things together with her pragmatism. After college, when Corrigan decided to go on a multicountry odyssey, her father responded, “Fantastic!” Her mother: “You should be using that money to get established, get your own health insurance, not traipse all over creation.” Ironically, it was Corrigan’s travels that led her to appreciate her mother’s point of view. The author ran out of money in Australia and took a job as a live-in nanny for a widower. John Tanner hired her to look after his two children while he traveled for his job as an airline steward, but it was a dysfunctional household: There was John, who seldom smiled; Martin, the open, affectionate 5-year-old; Milly, the resentful 7-year-old; Pop, their 84-year-old grandfather; and Evan, John’s grown stepson. “If this family were a poker hand, you’d fold,” writes Corrigan. “Without that middle card, it’s an inside straight, and those almost never work out.” Aside from a friendly flirtation with Evan, the action is internal as Corrigan called upon her mother’s directives to help her provide some stability for the family. The most affecting part of the narrative is her struggle to connect emotionally with Milly and her realization that “maybe the reason my mother was so exhausted all the time wasn’t because she was doing so much but because she was feeling so much.”
Written in a breezy style with humor and heart, the book reminds us how rewarding it can be to see a parent outside the context of our own needs. It's that illumination that allows Corrigan to turn what starts as a complaint about her mother into a big thank you.Pub Date: Feb. 11, 2013
ISBN: 978-0-345-53283-1
Page Count: 240
Publisher: Ballantine
Review Posted Online: Dec. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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