Powerful, historically based novel of survival, beliefs, adaptation and resistance.
An elderly woman reflects on her early years living as a Mormon on the run in author Simmons’ absorbing debut novel, based on a true story.
In 1898 Utah, 10-year-old Mary Higginsen, her nearly blind mother, and her brothers and sisters are taken by their father to Billie’s Mountain to live in a cave to avoid his arrest for polygamy. Mary and her relatives are a second family; Father has another wife to whom he is legally wed. After helping them to settle in, Father returns to town to his first family, leaving elder son Zebedee in charge. Believing the separation from Father to be temporary, the children work nearly constantly, cooking, washing and planting, although their efforts are sometimes for naught. Earnest Zebedee remains thankful for small mercies, but recalcitrant Mary has doubts: “If this was God’s idea of a blessing, it certainly was a sorry one.” In winter, supplies run dangerously low. As weeks pass without Father, Mary is increasingly angered by her family’s blind trust and their predisposition to suffer while Father’s other family presumably lives in comfort. Facing frostbite and starvation, they are rescued by a neighbor, Brother Bigler. He, too, practices plural marriage and is drawn to Mary, who resists his advances. She realizes the significance of polygamy (multiple wives ensure progeny), but Mary has no wish to be submissive or to marry. Although initially a survival tale, recalling some of the sacrifices in Susan Beth Pfeffer’s Life As We Knew It (2008), the novel skillfully addresses the claustrophobic, cultlike burden of belief and how a willful individual like Mary could be coerced to comply. Through no fault of their own, the Higginsens are treated like “beggar children” by one of Brother Bigler’s wives, who will later risk her own status in an act of kindness to Mary. Perhaps Brother’s wives aren’t as happy as they claim. Sensing the incongruity, resourceful Mary both adapts and rebels. In a genre saturated with faux apocalyptic tales of teens in peril, here’s an emotionally wrenching narrative out of U.S. history.
Powerful, historically based novel of survival, beliefs, adaptation and resistance.Pub Date: April 23, 2014
ISBN: 978-0615998572
Page Count: 258
Publisher: Helper Publishing
Review Posted Online: Dec. 10, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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