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THREE BLIND MICE

HOW THE NETWORKS LOST THEIR WAY

As in his Greed and Glory on Wall Street (1986), here Auletta offers a behind-the-scenes account of a clash of corporate cultures, manifested in formidable egos fighting over turf. The battlegrounds are ABC, NBC, and CBS, which, beginning in the mid- 1980's, went through five years of wrenching change occasioned by technology and takeovers. Since 1976, the three major networks have lost one out of three viewers because of cable, video, satellite, increasingly independent affiliates, and the upstart Fox network. Starting in 1986, the Big Three's proud but complacent old guard of newscasters and entertainment programmers were administered shock treatment by their tightfisted new bosses: Lowes' Larry Tisch at CBS, GE's Jack Welch and Bob Wright at NBC, and Capital Cities' Tom Murphy and Dan Burke at ABC. Despite differences in strategy and managerial style, Auletta demonstrates, the networks thereafter became engaged in ``the same struggles between public versus shareholder responsibility, the same almost religious conflict between old and new values.'' Yet, except for several vividly drawn episodes (e.g., a skirmish between Brandon Stoddard and Roone Arledge, heads of entertainment and news, respectively, at ABC, over the scheduling of 20-20), Auletta seems to have drained this material of pungency, perhaps because of his unusual access (1,500 interviews with over 350 people) and his admirable objectivity. Moreover, the narrative seems hastily cobbled together, both in terms of overall organization and line editing (Efrem Zimbalist, Jr., was not ``Dynasty's male lead''). A conscientious but weak attempt to show how, amid the ``new video democracy'' enjoyed by viewers, the three networks squirmed on their thrones.

Pub Date: Aug. 1, 1991

ISBN: 0-394-56358-1

Page Count: 656

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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