It’s all a bit overwrought for what is, after all, a boy-loves-girl, boy-swashbuckles-to-win-girl yarn, but it’s competently...
A flying buttress of a book, continuing the hefty Kingsbridge saga historical novelist Follett began with Pillars of the Earth (1989) and World Without End (2007).
It’s not that Follett’s been slacking between books: he’s been working away at the Century Trilogy, set centuries later, and otherwise building on the legacy of high-minded potboilers he began with Eye of the Needle (1978). Here he delivers with a vengeance, with his Kingsbridge story, set in the shadow of a great provincial cathedral, now brought into the age of Elizabeth. Ned Willard, returning from the Continent on a boatload of “cloth from Antwerp and wine from Bordeaux,” beats a hasty path through the snow and gloom to the lissome lass he’s sweet on, Margery Fitzgerald. Her mom and dad are well-connected and powerful—but, alas, Catholic, not the best choice of beliefs in an age when Tudor Protestantism is taking a vengeful turn and heads are rolling. Rollo, Margery’s brother, turns out to offer good cause for suspicion; having twitted and tormented Ned over the course of the story, he’s sailing with the Spanish by the end. But will Ned keep his head and Margery hers? Or, as Margery wonders lamentingly, “Had Ned caught Rollo, or not? Would the ceremony go ahead? Would Ned be there? Would they all die?” Ah, it is but to wonder. Follett guides his long, overstuffed story leisurely through the halls of Elizabethan history; here Bess herself turns up, while there he parades the likes of Walsingham, Francis Drake, and the whole of the Spanish Armada, even as Margery yearns, the tall masts burn, and Follett’s characters churn out suspect ethnography: “Netherlanders did not seem to care much about titles, and they liked money.”
It’s all a bit overwrought for what is, after all, a boy-loves-girl, boy-swashbuckles-to-win-girl yarn, but it’s competently done. Follett's fans will know what to expect—and they won’t be disappointed.Pub Date: Sept. 12, 2017
ISBN: 978-0-525-95497-2
Page Count: 928
Publisher: Viking
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK TO SCREEN
An offbeat, darkly witty pre–#MeToo revenge tale. The patriarchy doesn’t stand a chance.
High school English teacher Alex Witt jumps from the frying pan into the fire when she takes a job at Stonebridge Academy, a Vermont boarding school.
Alex doesn’t love teaching, but it’s a living, and she’s hoping for a new start at Stonebridge after a debacle sent her packing from her last job. Dean Gregory Stinson, a friend of Alex’s famous author father, Len Wilde, is happy to give her a place on staff, but a bait and switch has her teaching creative writing instead of English. Alex isn’t thrilled but settles into getting to know her class. Her initiation isn’t easy: Someone leaves a dead rat in her desk, and strange, vaguely threatening notes keep appearing at her barely livable cottage. Weeding out the good eggs from the troublemakers isn’t easy, but Alex gives it the college try and even makes a few (maybe) friends among the staff. When a student named Gemma Russo makes Alex aware of an exclusive online forum called the Darkroom, where Stonebridge boys post photos and text about their sexual exploits and girls are vigorously scored, Alex can’t ignore what’s happening, but she’s not eager to put herself out there in the face of adult enablers and vicious boys who will do anything to keep their toxic traditions alive. Luckily, Gemma is quietly recruiting an army to take the nasty little cabal down, and Alex offers guidance, never guessing just how far things might go. In 2009, when this is set, the term “boys will be boys” wasn’t yet being truly challenged as an acceptable explanation for entitled, misogynistic male behavior, and questions of consent weren’t at the forefront. Stonebridge is a perfect example of this kind of dysfunctional, entrenched culture. Lutz (The Passenger, 2016, etc.) draws on the droll humor and idiosyncratic characterizations that make her Spellman novels so appealing, and just about no one is quite who they seem. But kindness and decency do manifest in surprising places, revealed through the alternating narratives of Alex, Gemma, and others.
An offbeat, darkly witty pre–#MeToo revenge tale. The patriarchy doesn’t stand a chance.Pub Date: Aug. 13, 2019
ISBN: 978-1-9848-1823-2
Page Count: 416
Publisher: Ballantine
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
A terrific thriller: fun, satisfying, and humane.
The adventures of Joe Wilderness across Cold War Europe.
From Berlin, surviving on airlift support, to Finland, England, and, ultimately, Prague in the spring of 1968, MI6 spy Joe Holderness, aka Wilderness, gets into and out of a number of compelling spots of trouble in this installment of his story (The Unfortunate Englishman, 2016, etc.). At first, and only for a short while, Wilderness and a loose gang of smugglers sell coffee and later peanut butter across the sectors of divided Berlin. Frank, the irritating American, Swift Eddie the driver, the Russians Yuri and Kostya, and Nell Burkhardt, Wilderness' lover, are all complete and compelling creations, and each member of the group reappears in more grown-up political costume later. Except for small digressions, the action jumps to 1966 Finland, where Kostya and Wilderness establish a nice black-market enterprise and Wilderness exposes an ugly plot involving clandestine cobalt and dirty bombs. Unfortunately, the end user of the cobalt is not the USSR, as Wilderness had assumed, but the U.K., and though his efforts result in the abandonment of an ill-advised weapons program, Wilderness is not everywhere in good odor, hence his assignment to Prague, where all the old conspirators come together in surprising and satisfying ways. But a cursory plot summary does the novel little justice. By turns witty, erudite, and exciting and supporting a host of interesting characters, imaginary and historical (for example Willy Brandt, Miloš Forman, and Václav Havel), the story admirably captures the spirit of post–World War II espionage. With the possible exception of "Wilderness," a not-unreasonable distortion of "Holderness" which might seem less disruptive to British ears than American ones, there's not one sour note.
A terrific thriller: fun, satisfying, and humane.Pub Date: March 10, 2020
ISBN: 978-0-8021-4812-4
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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