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ARCHIBALD COX

CONSCIENCE OF A NATION

The jurist who gave Richard Nixon fits receives his due in a satisfying biography. Gormley (Law/Duquesne Univ.) approaches Cox as an exponent of a particularly tough, independent-minded, Yankee kind of approach to the law. Born in 1912, Cox came of age in a time when the legal profession was nearly universally respected and when whole lineages devoted themselves to the practice of law (Gormley notes that Cox's great-grandfather William Maxwell Evarts defended Andrew Johnson when impeachment proceedings were undertaken against him in 1868). After clerking for the eminent federal judge Learned Hand, Cox became a government labor lawyer, then a Harvard professor, and then entered politics somewhat reluctantly as a speechwriter for presidential candidate John Kennedy. Despite his solid rÇsumÇ, Cox was seemingly unprepared for the scrutiny that would attach to his work as the government's special prosecutor in the Watergate investigation of 1973. Gormley examines Nixon's charge that Cox was a politically motivated hit man who, with his staff, ``bored like termites through the whole executive branch,'' noting that Cox was in fact something of a legal conservative who criticized such rulings as Roe v. Wade and who found the whole business of turning up evidence against a sitting president personally distasteful. Gormley gives a careful account of the events leading up to Cox's dismissal at Nixon's orders; the man who fired him was a federal judge named Robert Bork, whose role as hatchet man would come back to haunt him more than a decade later as a nominee for the Supreme Court. Students of the Watergate years will find a few other gems in Gormley's pages, including an admission from Nixon's chief of staff Alexander Haig that the president ``could well be guilty.'' Otherwise, this well-written biography will be of most interest to students of law in the public interest. (b&w photos, not seen)

Pub Date: Oct. 1, 1997

ISBN: 0-201-40713-2

Page Count: 560

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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