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ANCIENT MARINER

THE ARCTIC ADVENTURES OF SAMUEL HEARNE, THE SAILOR WHO INSPIRED COLERIDGE’S MASTERPIECE

A gripping tale of genuine adventures, very well told.

A straightforward biography of the first Englishman to explore northern Canada.

Toronto-based McGoogan (Fatal Passage, 2002, etc.) presents his hero as a determined adventurer. Samuel Hearne (1745–92) became a midshipman in the Royal Navy at age 12, receiving his naval training under Captain Samuel Hood, who also served as mentor to Horatio Nelson. A disciple of Voltaire, Hearne found his suspicion of authority strengthened as he witnessed naval floggings and executions. After seeing action against France in the Seven Years War, he returned to London. In 1766, he joined the Hudson’s Bay Company and was assigned to Prince of Wales Fort, the company’s northernmost outpost. From this base he was sent to search the far west for rich veins of copper ore reported by natives who traded at the fort. He also aspired to settle the question of the long-hoped-for Northwest Passage between the Atlantic and Pacific. Accompanying Matonabee, a leader of the Dene, Hearne traveled about 3,500 miles across some of the most difficult terrain in the world. McGoogan credits him with being perhaps the first Arctic explorer to adopt the natives’ methods, almost a necessity for Europeans attempting to live off the land in the frozen north. Neither the copper nor the Northwest Passage panned out; worse, Matonabee’s warriors massacred a group of Inuit near what is now known as Bloody Fall. McGoogan attempts to provide a cultural context for this and other shocking acts by the tribespeople, but the overall effect is to emphasize even more the rigors of Hearne’s journey. He later became governor of Prince of Wales Fort and was captured by French warships supporting the American Revolution. In failing health, he returned for his final years to London, where he published his journals and met the young Coleridge.

A gripping tale of genuine adventures, very well told.

Pub Date: Feb. 1, 2004

ISBN: 0-7867-1304-6

Page Count: 336

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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