Complete with painfully wry observations and delightfully caustic wit, this novel is a gritty exploration of what it’s like...

AMP'D

When 40-something high school teacher Aaron loses his left arm in a car accident, he has a chance to overcome adversity and become a better man. But he’d rather pop a few Vicodin and smoke a joint.

Soon after regaining consciousness in his hospital room, the one-armed antihero of Pisani’s acerbic debut novel repeatedly invokes the memory of real-life computer science professor Randy Pausch, who delivered “The Last Lecture” to his students at Carnegie Mellon University after learning that he had terminal pancreatic cancer. The professor’s inspirational call to achieve one’s childhood dreams quickly went viral on YouTube. When Aaron becomes an Internet sensation, it's because his low-life brother-in-law posts footage of the teacher’s stump, newly tattooed to resemble a sea serpent. As Aaron recovers from his accident, he tries to regain his emotional and physical balance as he bunks with his divorced father and works as a fish counter at the local dam. All the while, Aaron nurses a healthy addiction to prescription pills and medical marijuana. (The names of the weed strains are nothing short of fantastic.) Never succumbing to the temptation to become treacly or sentimental, the story slowly evolves into one of brilliant cynical insight and raw tenderness as Aaron befriends a cast of misfits, including a foulmouthed 11-year-old cancer patient and a morally ambiguous fellow amputee. Pisani always stays on the right side of the line when introducing quirky elements, like his cougar mom, who lives in a yurt with her firefighting boyfriend, and a love interest Aaron knows only as a voice that broadcasts scientific tidbits on the local radio station.

Complete with painfully wry observations and delightfully caustic wit, this novel is a gritty exploration of what it’s like to feel incomplete in the world. All five fingers up for this bitterly satisfying tale.

Pub Date: May 10, 2016

ISBN: 978-1-250-08520-7

Page Count: 288

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2016

Kirkus Reviews Issue: March 1, 2016

Did you like this book?

No Comments Yet

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

Why you double-crossing little double crossers! Fiendishly clever.

PRETTY THINGS

The daughter of a grifter plans to fund her mother’s cancer treatment with a revenge con.

Rich people suck, don’t they? Nina Ross found this out in her adolescence, when her romance with Benny Liebling was broken up by his status-obsessed, old-money father, who found them screwing in the guest cottage of the family’s Lake Tahoe estate. Back then, Nina had a future—but she’s since followed her con-artist mother into the family business with the help of a handsome blue-eyed Irish confederate named Lachlan. “Here’s my rule,” Nina tells him. “Only people who have too much, and only people who deserve it.” Of course, he agrees. “We take only what we need.” With her art history background, Nina is usually able to target a few expensive antiques they can lift without the rich dopes even noticing they’re gone. But now that Nina's mother is hovering at death’s door without health insurance, she’s going after the $1 million in cash Benny mentioned was in his father’s safe all those years ago. So back to Lake Tahoe it is. The older Lieblings are dead, and Benny’s in the bin, so it’s his sister Vanessa Liebling who is the target of the complicated caper. Vanessa is a terribly annoying character—“I couldn’t tell you how I went from a few dozen Instagram followers to a half-million. One day, you’re uploading photos of your dog wearing sunglasses; and the next you’re begin flown to Coachella on a private jet with four other social media It Girls…”—but, in fact, you’ll hate everyone in this book. That is surely Brown’s (Watch Me Disappear, 2017, etc.) intention as she’s the one making them natter on this way. She also makes them vomit much more than is normal, whether it’s because they’re poisoning each other or because they’re just so horrified by each other’s behavior. Definitely stay to see how it all turns out.

Why you double-crossing little double crossers! Fiendishly clever.

Pub Date: April 21, 2020

ISBN: 978-0-525-47912-3

Page Count: 496

Publisher: Random House

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Did you like this book?

No Comments Yet
more