by Ken Sharp with Gene Simmons and Paul Stanley ‧ RELEASE DATE: Sept. 10, 2013
A rollicking oral history of the one-time “hottest band in the land.”
Through scores of interviews with band members, fans, roadies, rival musicians and label executives, Sharp (Starting Over: The Making of John Lennon and Yoko Ono’s Double Fantasy, 2010, etc.) and KISS co-founders Stanley and Simmons have put together a complete history of the band’s rise to superstardom.
Much maligned by rock critics and radio stations of the day, especially for their emphasis on grotesque makeup and fire-breathing, blood-spitting theatrics over musicianship, KISS (which also included drummer Peter Criss and lead guitarist Ace Frehley) had to fight their way to the top. The first step was conquering (or at least wowing) New York, which they accomplished by developing an overpoweringly loud and outrageous stage show that they performed atop a levitating drum set while wearing giant platform shoes that made the already tall members tower intimidatingly over the competition. Their outsize personas were meant to make them stand out from drag and glam acts of the day like David Bowie, T. Rex and local rivals The New York Dolls. The band’s raw power didn’t make them friends with outfits they opened for; they often had the plug pulled before their set was over. But when the tables were turned, the members of KISS were, by many accounts, as gracious and generous to their openers as they were to their fans. The weakest aspects of the book are the sameness of some anecdotes and triteness of language (phrases like “110 percent” and “take it to the next level” are repeated in numerous stories). The strongest is the inclusion of critics and rivals whose grudging admiration for the band comes through, despite their ability to see through the gimmicks. (Iggy Pop is one especially hilarious courtside observer.)
A rollicking oral history of the one-time “hottest band in the land.”Pub Date: Sept. 10, 2013
ISBN: 978-0-06-213172-0
Page Count: 544
Publisher: It Books/HarperCollins
Review Posted Online: July 21, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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