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THE RENOVATION

A one-way trip to the Twilight Zone via a self-imposed life sentence.

Are we doomed to be punished by the places that scorned us—and if so, who will serve that sentence?

Turkish American author Orhan (I Am My Country, 2023) expands one of his better short fictions into this claustrophobic, captivating allegory about family, country, and the failure of memory. When Turkish emigré Dilara hires a few cryptic builders to renovate an ensuite bathroom as she prepares her home in Baronissi, Italy, to accommodate her dying father, she’s justifiably impatient to see the results. She’s not, however, expecting to find a fully functioning prison cell mirroring the inside of a cell at Istanbul’s gargantuan Silivri Prison—complete with guards and fellow inmates with whom she can converse regularly. Other than the obvious anomaly, Orhan plays it completely straight as Dilara, a psychologist and child development specialist, tries to figure out the meaning of this literal hole in her world. Recounting the violence around the 2013 Gezi Park protests, she eventually explains the family’s flight from Turkey and her father’s subsequent descent into dementia that now requires her constant attention. The book is infected by sickness, both the cosmically unfair illness stealing away Dilara’s father and the failure of Turkey to protect its own or live up to the grace of its people. Meanwhile, Dilara’s nameless and endlessly anxious husband, already absent in spirit, flees for a short-term gig elsewhere. As the prison grows more enveloping than her everyday life, her father, formerly a writer and activist, shifts from deteriorating to semi-lucid; Dilara suspects these two things and the strange memories and episodes she’s experiencing are connected. There’s a lot of emotional power between the drama and the premise here—what seems merely impossible is quickly overwhelmed by the tale’s connecting thread, this inability to recover what has been lost. It’s an odd, elegant little book with disarming sincerity that belies its metaphysical hocus pocus, held aloft by keen literary wordplay and an evocative exploration of what homeland really means.

A one-way trip to the Twilight Zone via a self-imposed life sentence.

Pub Date: Feb. 10, 2026

ISBN: 9780374609429

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 8, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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