An often striking account of religious opportunism.

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Prophet of Loss

In this drama, a charismatic cult leader exploits a downtrodden family.

Celia Waters’ parents take a calculated risk to buy a new house in a small town in South Carolina, using insurance money that they received after Celia’s grandmother’s death to move out of the Blue Wave Mobile Home Community. But then Celia’s father suffers a serious back injury and loses his job delivering newspapers. Her mother is put out of work, too, when the dentist who employs her goes bankrupt. Celia’s dad abuses alcohol and OxyContin, and he grows verbally abusive, hopeless, and uncharacteristically lazy. His spirits improve after he attends a service at the Living Faith Church, and he’s enthralled with one of its ministers—the hypnotic Barrett Higgins, who eventually breaks from the church and starts his own. He then invites Celia’s family to live in his farmhouse rent-free. They become part of a fledgling religious community that becomes increasingly cultish and bizarre. One day, Higgins announces that he’s the second coming of Jesus Christ—to the joy of his new disciples—and takes Celia’s mother to be his new bride. They all start referring to him as “The Prophet.” Celia is singled out to be Higgins’ “own personal Gabriel.” But then she starts to question his divinity—and his motives. Author Weible (Hello from Out Here, 2010, etc.) deftly unpacks the cunning charm of the cult leader in this unsettling novel, showing how Higgins expertly preys on the vulnerabilities of his quarry: “Celia had wanted Barrett, to possess or be possessed by him, so badly because he was the only thing there was to want. That was his greatest trick.” That said, Celia’s father’s descent into helplessness from an initial place of strength seems too precipitous to be plausible. Aside from this narrative flaw, though, it’s a powerful story, and one that effectively illustrates the human capacity for gullibility.

An often striking account of religious opportunism.

Pub Date: Nov. 8, 2016

ISBN: 978-0-692-76126-7

Page Count: 278

Publisher: East West 792

Review Posted Online: Nov. 28, 2016

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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