Mildly entertaining but superficial and unremarkable.
One of the original video jockeys waxes nostalgic on her time with the MTV network.
Lisa Kennedy Montgomery was barely 20 when she began working for MTV during an era “when music mattered and time stopped” and found herself “roaming the streets of New York in men’s pajamas and combat boots interviewing rock stars and looking for trouble.” However trivial this “trouble” may appear to readers, Kennedy takes a curious pride in vigorously describing it in great detail throughout a memoir that’s as cheeky and snarky as her former on-air personality. A high school dropout who moved swiftly from an overnight radio internship in Los Angeles to a fill-in VJ spot, Kennedy plunged headfirst into the free-falling, adrenaline-fueled world of music videos, rock bands and rock stars. She shares a smattering of stories from encounters with musical dignitaries like Henry Rollins, Madonna, Dave Navarro, Courtney Love and Gwen Stefani, among others, all enriching an era that embodied a “collision of culture and media.” These vignettes complement pages of interviews with everyone from broadcast veteran Andy Schuon, who hired her at 19 with no broadcast experience, to Smashing Pumpkins’ Billy Corgan. After many successful incarnations of the live-broadcasted MTV Beach House segments in Malibu and the Hamptons, the termination of a series of late-night talk show pilots signaled the end of her tenure in 1997. Despite a knack for snappish commentary that reads easily, Kennedy’s memoir doesn’t translate as particularly illuminating, especially when her opinionated commentary nips at the rockers and co-VJs who made her youthful livelihood possible.
Mildly entertaining but superficial and unremarkable.Pub Date: July 30, 2013
ISBN: 978-1-250-01747-5
Page Count: 304
Publisher: Dunne/St. Martin's
Review Posted Online: June 16, 2013
Kirkus Reviews Issue: July 1, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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