by Kenneth B. Andersen , translated by K. E. Semmel ‧ RELEASE DATE: Oct. 15, 2018
An enjoyably disturbing supernatural tale.
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In Andersen’s YA fantasy series opener, translated from the Danish by Semmel, a teenager enters hell and unwillingly trains to become its ruler.
As the story opens, 13-year-old Philip Engel is hiding in his school’s basement because Sam, an older, inventively cruel bully, has dubbed him his “Condemned of the Week.” Thankfully, the school’s janitor intervenes before Sam can harm him. Later, on his way home, Philip rescues a black cat stuck in a tree: “Thanks for helping me out,” the cat says, to Philip’s amazement. Then Sam catches up with his victim and pushes him into a crosswalk—and in front of a car. Soon, Philip wakes up in hell, where he reunites with the talking cat, whose name is Lucifax, and heads for a castle made of bones—the lair of the devil himself. The teen learns that the devil is dying and needs to train a replacement; however, it turns out that Lucifer intended to summon Sam, not Philip. A one-time deal with Death allowed the devil to take just one boy before his time, so he must make do with Philip, who’s literally a Boy Scout. How will Philip fare when his villainy is tested? And is a young “she-devil” named Satina offering him true friendship? Philip only knows one thing for sure: that he wants to escape his apprenticeship before the devil expires. Andersen’s morally gray series opener rests on the argument that evil is, in fact, necessary. As the devil says, “We can’t see without light, but we can’t see without darkness, either. We need both to be able to navigate.” Hell is populated with colorful demons, such as Flux and Aziel, who live in hell’s grisly suburbs; on Maim Street, Philip hears “muffled screams...from the buried mouths when he trudged upon their bleeding skulls.” It’s graphic imagery, indeed, but the author manages to inject occasional silliness, such as Lucifax’s wry commentary: “Down here, humor is always dark.” Eventually, the young man must deal with teenage jealousy, along with other, more devilish traits. Andersen’s exceptional plotting ensures that its sequel will be irresistible.
An enjoyably disturbing supernatural tale.Pub Date: Oct. 15, 2018
ISBN: N/A
Page Count: 320
Publisher: Høst & Søn
Review Posted Online: Nov. 19, 2019
Review Program: Kirkus Indie
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by Kenneth B. Andersen ; translated by S.S. Todd
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PROFILES
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Ava Reid ‧ RELEASE DATE: Sept. 19, 2023
A dark and gripping feminist tale.
A young woman faces her past to discover the truth about one of her nation’s heroes.
When Effy Sayre, the only female architecture student at her university in Llyr, wins the competition to design Hiraeth Manor for the estate of the late Emrys Myrddin, national literary figure and her favorite author, it is the perfect opportunity to leave behind a recent trauma. She arrives to find the cliffside estate is literally crumbling into the ocean, and she quickly realizes things may not be as they seem. Preston, an arrogant literature student, is also working at the estate, gathering materials for the university’s archives and questioning everything Effy knows about Myrddin. When Preston offers to include her name on his thesis—which may allow her to pursue the dream of studying literature that was frustrated by the university’s refusal to admit women literature students—Effy agrees to help him. He’s on a quest for answers about the source of Myrddin’s most famous work, Angharad, a romance about a cruel Fairy King who marries a mortal woman. Meanwhile, Myrddin’s son has secrets of his own. Preston and Effy start to suspect that Myrddin’s fairy tales may hold more truth than they realize. The Welsh-inspired setting is impressively atmospheric, and while some of the mythology ends up feeling extraneous, the worldbuilding is immersive and thoughtfully addresses misogyny and its effects on how history is written. Main characters are cued white.
A dark and gripping feminist tale. (Fantasy. 14-18)Pub Date: Sept. 19, 2023
ISBN: 9780063211506
Page Count: 384
Publisher: HarperTeen
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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