An enjoyably disturbing supernatural tale.
In Andersen’s YA fantasy series opener, translated from the Danish by Semmel, a teenager enters hell and unwillingly trains to become its ruler.
As the story opens, 13-year-old Philip Engel is hiding in his school’s basement because Sam, an older, inventively cruel bully, has dubbed him his “Condemned of the Week.” Thankfully, the school’s janitor intervenes before Sam can harm him. Later, on his way home, Philip rescues a black cat stuck in a tree: “Thanks for helping me out,” the cat says, to Philip’s amazement. Then Sam catches up with his victim and pushes him into a crosswalk—and in front of a car. Soon, Philip wakes up in hell, where he reunites with the talking cat, whose name is Lucifax, and heads for a castle made of bones—the lair of the devil himself. The teen learns that the devil is dying and needs to train a replacement; however, it turns out that Lucifer intended to summon Sam, not Philip. A one-time deal with Death allowed the devil to take just one boy before his time, so he must make do with Philip, who’s literally a Boy Scout. How will Philip fare when his villainy is tested? And is a young “she-devil” named Satina offering him true friendship? Philip only knows one thing for sure: that he wants to escape his apprenticeship before the devil expires. Andersen’s morally gray series opener rests on the argument that evil is, in fact, necessary. As the devil says, “We can’t see without light, but we can’t see without darkness, either. We need both to be able to navigate.” Hell is populated with colorful demons, such as Flux and Aziel, who live in hell’s grisly suburbs; on Maim Street, Philip hears “muffled screams...from the buried mouths when he trudged upon their bleeding skulls.” It’s graphic imagery, indeed, but the author manages to inject occasional silliness, such as Lucifax’s wry commentary: “Down here, humor is always dark.” Eventually, the young man must deal with teenage jealousy, along with other, more devilish traits. Andersen’s exceptional plotting ensures that its sequel will be irresistible.
An enjoyably disturbing supernatural tale.Pub Date: Oct. 15, 2018
ISBN: N/A
Page Count: 320
Publisher: Høst & Søn
Review Posted Online: Nov. 19, 2019
Review Program: Kirkus Indie
PROFILES
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
A fantasy with complex characterization that will build anticipation for the next entry.
Three young people find their places in a world of vengeance and destiny in National Book Award winner Tahir’s duology opener set in the multicultural world of her An Ember in the Ashes series.
Aiz, from the impoverished nation of Kegar, seeks revenge against Tiral bet-Hiwa, an air squadron commander who, as a child, murdered Aiz’s fellow orphans. Guided by a voice claiming to be Mother Div, Kegar’s first queen, Aiz escapes imprisonment after her failed assassination attempt on Tiral and embarks on a journey to free Mother Div’s trapped spirit. In the Martial Empire, Sirsha, a skilled tracker with magical abilities who’s been banished from her homeland, is saved by a stranger who hires her to hunt an unnatural killer. Quil, the crown prince of the Martial Empire, faces an invasion by the Kegari and the lingering threat of a mysterious force responsible for recent murders, including those of two of his loved ones. As the storylines converge, Sirsha and Quil cross paths, leading to revelations about the insidious force. The story explores the blurred line between good and evil and the lengths one will go to for a better life. Tahir’s deep and intricate worldbuilding requires time for readers to fully grasp. Following a slow start, the plot engages as pieces fall into place, leading up to an unexpected ending. The beautiful writing compensates for the romantic relationships, which develop quickly and somewhat inorganically.
A fantasy with complex characterization that will build anticipation for the next entry. (Fantasy. 14-18)Pub Date: Oct. 1, 2024
ISBN: 9780593616949
Page Count: 496
Publisher: Putnam
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
SEEN & HEARD
SEEN & HEARD
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