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Silk Road

THE JOURNEY

A rich, exotic journey that will leave you reaching for your passport.

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In a bohemian odyssey set in the 1960s, a young man just out of college backpacks around the world, sampling hash, sex, acid, and illumination as the Vietnam War rages.

In 1966, fresh out of UC Santa Barbara, Ken and roommate Jeb set out to hitchhike to New York City. In New Mexico, Jeb lucks out and catches a solo ride, while Ken climbs in with Lester, a spooky ex-con. Lester gleefully tells of a 13-year-old girl who “cummed in her panties” at a Beatles concert, and he warns Ken to look out for Texas Rangers. Ken lands in the East Village and is soon living with Brenda, a secretary at Columbia University. They marry and set off to backpack the world. Debarking in Ibiza, Ken memorably sees his landlords’ pet monkey carbonize himself as he grabs an electric line. After some hash in Tangiers, the couple reach Italy, where Brenda is groped—a recurring problem—this time in Naples. The travelogue moves on: Byron’s name chiseled by the poet into a marble column in Greece; Masada in the early morning; a Sikh worship service in Tehran; into Afghanistan and hash in Herat. As the narrative turns to New Delhi, its primary strength and challenge become clear: this is an exceedingly rich buffet. But patience is rewarded, as Canatsey (Confessions of a Friendly Anarchist, 2012, etc.) excels at the mesmerizing detail: the monkey’s “palms melted into the wires as electricity coursed through his body, and his body gradually diminished in size as the volts steadily burned away his flesh, muscles, sinews, organs and fat—the greater part of his entire physical mass.” At 400-plus pages, the novel could sometimes benefit from the spicy ironies of a Paul Theroux or the careening freedom of a Kerouac. But overall, Canatsey’s grasp is equal to his reach, and many passages will leave armchair Marco Polos hungering for more.

A rich, exotic journey that will leave you reaching for your passport. 

Pub Date: N/A

ISBN: 978-1-5144-0536-9

Page Count: -

Publisher: Xlibris

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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