by Kenneth Fenter ‧ RELEASE DATE: April 13, 2011
Fenter provides worthy social commentary tucked inside this tender tale, but a languid delivery keeps the message from fully...
Teenager Cliff Kelly learns to balance his family’s values with a newfound independence in Fenter’s sequel to 2010’s The Ruin.
The novel begins in 1955, as Cliff returns home after spending a year living alone in a cliff dwelling near the rural Colorado community in which he grew up. After this period of self-reflection, Cliff resumes life armed with stronger character and confidence. These values are immediately tested when he deepens his relationship with Angelina, whose Catholic upbringing and Latino heritage clash with the Anglo-Christian Kelly family. Cliff befriends his former nemesis Hector and their relationship brings closure to events preceding his sojourn in the wilderness. Cliff’s family is a minority in the predominantly Latino area, and his outsider status lessens as Hector and Angelina educate Cliff on their culture’s customs and language. Cliff returns their favors by helping Hector with his schoolwork and showing Angelina the survival skills he cultivated during his solitude. Cliff introduces Angelina to beekeeping and the two work on capturing a swarm. During the process, Larry, a mentally unsound young man, threatens Cliff and Angelina, and the danger they encounter ultimately intensifies their bond. Cliff is a great role model for the book’s young adult audience, though parts involving Larry may not be appropriate for all readers. Teenagers will relate to Cliff’s struggles as he moves into adulthood and admire the mature choices he makes when confronts challenges. The book can also benefit parents raising kids coming of age in adverse societies. Yet the book’s pith—the importance of forgiveness, of forging common ground no matter how extreme the difference—become buried in longueurs describing the Colorado land, farming methods and bee-keeping procedures. The veracity of these expositions is undisputed, but they draw readers away from the nexus of messages Fenter imparts. The plot’s climactic moments slow from prolix dialogue; the cast of diverse characters all speak in the same formal, long-winded style. This implausible phrasing enervates the compelling, emotional moments between Cliff and Angelina—nevertheless, their relationship is inspiring.
Fenter provides worthy social commentary tucked inside this tender tale, but a languid delivery keeps the message from fully resonating.Pub Date: April 13, 2011
ISBN: 978-1461093473
Page Count: 298
Publisher: CreateSpace
Review Posted Online: June 3, 2011
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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