Fenter provides worthy social commentary tucked inside this tender tale, but a languid delivery keeps the message from fully...
Teenager Cliff Kelly learns to balance his family’s values with a newfound independence in Fenter’s sequel to 2010’s The Ruin.
The novel begins in 1955, as Cliff returns home after spending a year living alone in a cliff dwelling near the rural Colorado community in which he grew up. After this period of self-reflection, Cliff resumes life armed with stronger character and confidence. These values are immediately tested when he deepens his relationship with Angelina, whose Catholic upbringing and Latino heritage clash with the Anglo-Christian Kelly family. Cliff befriends his former nemesis Hector and their relationship brings closure to events preceding his sojourn in the wilderness. Cliff’s family is a minority in the predominantly Latino area, and his outsider status lessens as Hector and Angelina educate Cliff on their culture’s customs and language. Cliff returns their favors by helping Hector with his schoolwork and showing Angelina the survival skills he cultivated during his solitude. Cliff introduces Angelina to beekeeping and the two work on capturing a swarm. During the process, Larry, a mentally unsound young man, threatens Cliff and Angelina, and the danger they encounter ultimately intensifies their bond. Cliff is a great role model for the book’s young adult audience, though parts involving Larry may not be appropriate for all readers. Teenagers will relate to Cliff’s struggles as he moves into adulthood and admire the mature choices he makes when confronts challenges. The book can also benefit parents raising kids coming of age in adverse societies. Yet the book’s pith—the importance of forgiveness, of forging common ground no matter how extreme the difference—become buried in longueurs describing the Colorado land, farming methods and bee-keeping procedures. The veracity of these expositions is undisputed, but they draw readers away from the nexus of messages Fenter imparts. The plot’s climactic moments slow from prolix dialogue; the cast of diverse characters all speak in the same formal, long-winded style. This implausible phrasing enervates the compelling, emotional moments between Cliff and Angelina—nevertheless, their relationship is inspiring.
Fenter provides worthy social commentary tucked inside this tender tale, but a languid delivery keeps the message from fully resonating.Pub Date: April 13, 2011
ISBN: 978-1461093473
Page Count: 298
Publisher: CreateSpace
Review Posted Online: June 3, 2011
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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