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THE BEE TREE

Fenter provides worthy social commentary tucked inside this tender tale, but a languid delivery keeps the message from fully...

Teenager Cliff Kelly learns to balance his family’s values with a newfound independence in Fenter’s sequel to 2010’s The Ruin.

The novel begins in 1955, as Cliff returns home after spending a year living alone in a cliff dwelling near the rural Colorado community in which he grew up. After this period of self-reflection, Cliff resumes life armed with stronger character and confidence. These values are immediately tested when he deepens his relationship with Angelina, whose Catholic upbringing and Latino heritage clash with the Anglo-Christian Kelly family. Cliff befriends his former nemesis Hector and their relationship brings closure to events preceding his sojourn in the wilderness. Cliff’s family is a minority in the predominantly Latino area, and his outsider status lessens as Hector and Angelina educate Cliff on their culture’s customs and language. Cliff returns their favors by helping Hector with his schoolwork and showing Angelina the survival skills he cultivated during his solitude. Cliff introduces Angelina to beekeeping and the two work on capturing a swarm. During the process, Larry, a mentally unsound young man, threatens Cliff and Angelina, and the danger they encounter ultimately intensifies their bond. Cliff is a great role model for the book’s young adult audience, though parts involving Larry may not be appropriate for all readers. Teenagers will relate to Cliff’s struggles as he moves into adulthood and admire the mature choices he makes when confronts challenges. The book can also benefit parents raising kids coming of age in adverse societies. Yet the book’s pith—the importance of forgiveness, of forging common ground no matter how extreme the difference—become buried in longueurs describing the Colorado land, farming methods and bee-keeping procedures. The veracity of these expositions is undisputed, but they draw readers away from the nexus of messages Fenter imparts. The plot’s climactic moments slow from prolix dialogue; the cast of diverse characters all speak in the same formal, long-winded style. This implausible phrasing enervates the compelling, emotional moments between Cliff and Angelina—nevertheless, their relationship is inspiring.

Fenter provides worthy social commentary tucked inside this tender tale, but a languid delivery keeps the message from fully resonating.

Pub Date: April 13, 2011

ISBN: 978-1461093473

Page Count: 298

Publisher: CreateSpace

Review Posted Online: June 3, 2011

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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