Impressively researched, sympathetic critical biography of one of the 20th century’s most perplexing fiction authors.
Jerome David Salinger (1919–2010) built his literary reputation in the 1950s and ’60s on a string of short stories and a novel, The Catcher in the Rye (1951), which artfully explored youthful precocity, social alienation and religious epiphany. Yet at the height of his fame, Salinger decided to escape the spotlight. After his story “Hapworth 16, 1924,” was published in the New Yorker in 1965, he maintained almost total public silence until his death. Consequently, Salinger acquired a second reputation as an infamously eccentric recluse, but Slawenski’s biography shows how the author’s seclusion naturally flowed out of his personal experience and metaphysical anxiety. Born to a well-off New York family, Salinger harbored literary ambitions from an early age, and though he aspired to the high-art pinnacle of the New Yorker, his early work mostly emerged in little magazines like Story or “slicks” like Collier’s and The Saturday Evening Post. Manhandling of his manuscripts by editors made Salinger skeptical about the publishing industry; a brutalizing Army experience during World War II, where he took part in the D-Day invasion, made him obsessive about the nature of man and God. Classic stories such as “For Esmé—With Love and Squalor” were the product of a writer unsure of how to make his way in the world, and Slawenski patiently tracks how Salinger’s growing interest in Eastern religion meshed with an increased fastidiousness about his writing. That’s a recipe for a reclusive author, though fewer than 50 pages of the book deal with Salinger’s half-century of seclusion, dwelling little on the gossipy details that emerged in memoirs such as those by his one-time lover Joyce Maynard. In Slawenski’s reckoning, Salinger died not a cloistered misanthrope but a defiantly monklike soul—a writer so obsessed with perfecting his vision of the world that he had to abandon it to get the story right.
Slawenski, the creator of deadcaulfields.com, is an admirer, but this is no fanboy biography; his close study of Salinger’s roots admirably redirects attention to his writing and thought instead of his self-imposed exile.Pub Date: Jan. 25, 2011
ISBN: 978-1-4000-6951-4
Page Count: 464
Publisher: Random House
Review Posted Online: Feb. 4, 2011
Kirkus Reviews Issue: Dec. 15, 2010
Categories: BIOGRAPHY & MEMOIR | GENERAL BIOGRAPHY & MEMOIR
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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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