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THE AUTUMN BALLOON

As one teacher exulted after his acceptance to the Columbia Journalism School, “[p]eople with stories like yours don’t end...

A memoir of the author’s incredibly dysfunctional nuclear family.

Porpora’s mother was a foulmouthed alcoholic who insulted the masculinity of her young sons and their very old father, whom she also accused of pedophilia and abuse. The former was likely a fantasy, the latter perhaps was not—or maybe it was self-defense on the part of the father, who was perpetually impoverished. It was hard to tell how the courts could justify custody to either one of them, though it occasionally reverted from one to the other, she fleeing to Arizona with her sons (occasionally living in her car or transient motels), he remaining in New York, where he once rented from a mother whose daughter became the author’s friend, until she was kidnapped and molested and they had to move. The primary solace of Porpora’s life was a dog who lived with his mother, but the dog eventually died. The boy had no friends except for, inexplicably, the most popular boy in school, a star athlete who avoided drugs until he became a heroin addict. Porpora wore a T-shirt with a picture of his dog on it, which was one of the reasons other classmates shunned him and called him gay. So did his mother and brother, and none of this seemed to register with the author as anything but the worst insult they could think of, until he belatedly realized that he was, in fact, gay. (The author does not explore the issue of sexual identity.) For reasons never really explained, he came to idolize Roger Ebert and took inspiration from an encounter with the film critic. He also had support from teachers, who recognized his writing promise.

As one teacher exulted after his acceptance to the Columbia Journalism School, “[p]eople with stories like yours don’t end up in the Ivy League.” And yet Porpora did, and now his stories have become the material for his piercing first book.

Pub Date: Feb. 3, 2015

ISBN: 978-1-4555-4516-2

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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