Boy meets girl, boy and girl take turns handcuffing each other to bed, boy and girl plot to kill girl's husband in this sex-soaked noir debut. Once Jimmy Rogers was the golden boy of Clarksville, Calif., getting into scrapes his father, the mayor, had to call in favors to pull him out of. Now, after his gilded youth has ended in a rash of failures and disappointments—the final blow his disinheritance by his father—Eve Stack, his boss's wife, is all the has-been insurance agent can think about, even when he's making love to somebody else. After a few months of marathon crank-and-couplings in Eve's discreet dungeon, Jimmy can't think of anything but hard sex and big money. It's the perfect time for him to resist the apple-cheeked allure of Kelly Owens, the new face at Phil Stack's agency, and agree to Eve's plan to dispose of her wealthy, inconvenient husband. Jimmy could never have predicted the horrific way the killing goes awry. But he certainly should've seen what would happen next, if not the exact steps in his path to perdition. Phil's brother Nigel turns up out of the blue and sinks serious teeth into both Jimmy and Eve, who's all too comfortable with being a new man's sex slave and confidential informer. Jimmy's got to get rid of Nigel too, of course, but not until he's finished jumping through every nasty hoop Nigel's forced on him. Harrington's distinctive spin on this familiar tale, apart from liberal doses of truly dangerous sex, is to allow Jimmy's civic connections—the D.A. and the sheriff are boyhood friends who know how to show respect to the mayor's legacy—to keep pulling him back from the edge of disaster, even as they keep reminding him that ``killing Phil had really been just one more misstep in a long line of missteps.'' The grisly, deadpan, unnervingly comic tone makes you wonder if Jim Thompson hasn't risen from the grave.
Pub Date: Feb. 15, 1996
ISBN: 0-312-13955-1
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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