A stirring meditation on the true nature and necessity of the family. Among the several damaged families in this beautifully cadenced and understated tale is that of Tom Guthrie, a high-school history teacher in small Holt, Colorado, who’s left to raise his two young sons, Ike and Bobby, alone when his troubled wife first withdraws from them and then, without explanation, abandons them altogether. Victoria Roubideaux, a high-school senior, is thrown out of her house when her mother discovers she’s pregnant. Harold and Raymond McPheron, two aging but self-reliant cattle ranchers, are haunted by their imaginings of what they may have missed in life by electing never to get married, never to strike out on their own. Haruf (Where You Once Belonged, 1989, etc.) believably draws these various incomplete or troubled figures together. Victoria, pretty, insecure, uncertain of her own worth, has allowed herself to be seduced by a weak, spoiled lout who quickly disappears. When her bitter mother locks her out, she turns to Maggie Jones, a compassionate teacher and a neighbor, for help. Maggie places Victoria with the McPheron brothers, an arrangement that Guthrie, a friend of both Maggie and the McPherons, supports. Some of Haruf’s best passages trace with precision and delicacy the ways in which, gradually, the gentle, the lonely brothers and Victoria begin to adapt to each other and then, over the course of Victoria’s pregnancy, to form a resilient family unit. Harold and Raymond’s growing affection for Victoria gives her a sense of self-worth, which proves crucial when her vanished (and abusive) boyfriend, comes briefly back into her life. Haruf is equally good at catching the ways in which Tom and his sons must quietly struggle to deal with their differing feelings of loss, guilt, and abandonment. Everyone is struggling here, and it’s their decency, and their determination to care for one another, Haruf suggests, that gets them through. A touching work, as honest and precise as the McPheron brothers themselves.