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EVENTIDE

Melancholy truths set to gorgeous melody.

Haruf sings the second verse of his moving hymn to life on America’s great plains.

Eventide is a sequel to the 1999 Plainsong, Haruf’s wonderfully straight-talking debut novel about life and work in and around Holt, Colorado, a withering town long miles from Denver and light-years from the coasts. Some of the characters from that first story return in major and minor roles. Harold and Raymond McPheron, a pair of aging bachelor brothers who work the ranch on which they were born, take center stage, and the Guthries, schoolteacher Tom and his motherless boys, move to the wings. Victoria Roubideaux, the young high-school girl who moved in with the McPherons to escape her mother and find refuge during her pregnancy is moving off to Fort Collins with her daughter to go to college. The ranchers, who dearly love her and her daughter, will be bereft in their absence but they have made the move possible. They resume their hard, lonely work, setting great store by Victoria’s weekly phone calls. In town, three small families are finding their own hard lives harder. Welfare recipients Betty and Luther Wallace, a couple who should probably be in a group home, are unable to protect their two children either from schoolyard cruelty or from Betty’s sadistic prison-bound uncle Hoyt. Mary Wells and her two daughters are living on money sent from Mary’s husband in Alaska, but the marriage is broken and Mary will lose her pride and her domestic order. Down the street, ten-year-old DJ Kephart has sole care of his grandfather, a retired railroad man close to the end of a tough life. DJ’s sole comfort is his friendship with Dena Wells, Mary’s elder daughter. When a bad-tempered bull kills Harold McPherson, Raymond is nearly numb, leaving him vulnerable to—of all things—romance.

Melancholy truths set to gorgeous melody.

Pub Date: May 9, 2004

ISBN: 0-375-41158-5

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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