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A HEALING FAMILY

Oe's (The Silent Cry, 1975, etc.) first new book since his 1994 Nobel Prize for Literature is a slender memoir returning to a familiar subject, his brain-injured son. The novelist has written about his first son Hikari's development on several occasions, in short stories, novels, and essays. Clearly, the experience of having a handicapped child is one that has marked his creative development, although that aspect of his life is covered only obliquely in this collection of essays about Hikari and the rest of the Oe family. The book's title carries a double meaning, repeatedly restated throughout its 15 essays (and in an afterword by Oe's wife, Yukari, who also provides the delicate line drawings at the head of each chapter). The Oe family has undergone a process of healing, achieving an acceptance of Hikari's limitations and a willingness, even eagerness, to let him test their boundaries. At the same time, their life with Hikari has left them better equipped to extend themselves to one another, to be a family that heals. This is nowhere more apparent than in Oe's many references to the strains caused by the presence of his 90-year-old mother-in-law, frail and quite senile, in the family home. Today Hikari is in his 30s, a serious and well-regarded composer of chamber music. Music, Oe says, has long provided Hikari's primary means of communication with an outside world that he often finds baffling. It is his music that occasions the book's most triumphant and moving moments, a musical tour of Europe in which Hikari gets to hear and meet many great European musicians in person. Oe's treatment of his family's struggle is always frank and shines with the quiet, unassuming intelligence and decency that has consistently been at the heart of his work. A lovely book, low-key, avoiding easy sentimentality, honest to a fault. (First printing of 50,000)

Pub Date: Nov. 1, 1996

ISBN: 4-7700-2048-1

Page Count: 160

Publisher: Kodansha

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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