Oe (Rouse Up, O Young Men of the New Age, 2002, etc.) is a deeply flawed great writer, and Somersault, alas, is not one of...
An intriguing but enormously overinflated 1999 novel, Oe’s first original fiction since receiving a 1994 Nobel Prize, concerns an austere, embattled, and eventually self-destructive religious cult.
The tedious first half details the dissolution of the cult (which act is labeled “the Somersault”) by its founders, known only as Patron and Guide, when its radical wing threatened a takeover of a nuclear power plant (one hears echoes here, of course, of the 1995 nerve gas attack in the Tokyo subways). It also introduces and develops the characters of Guide, stricken with an aneurysm and hospitalized; Patron, who creates a new cult (the Church of the New Man) ten years after the Somersault, when radicals kidnap and cause the death of Guide; and Patron’s acolytes and underlings: his publicist Ogi, his female secretary Dancer, and two men Dancer recruits—Kizu, a cancer-riddled middle-aged painter, and Ikuo, the muscular, brooding young man who becomes Kizu’s protégé, model, and lover. The second half records “the Church’s” development as a thriving rustic commune (whose beginnings Oe describes very skillfully) and presents a series of increasingly complex relationships and tensions. Newly prominent figures include “radical” physician Dr. Koga, a brain-damaged musical savant (another fictionalization of Oe’s own son Hikari), the narrowly fervent “Quiet Women,” and the menacing leader of the ardent “Young Fireflies,” teenaged true believer Gii. The final pages, embracing an ambitious summer conference and “Spirit Festival” and climaxing with a violent sacrifice, vibrate with dramatic energy. But it’s too little, too late: Patron’s interminable “sermons” articulating his cults’ history and aims have long since drained the life out of the narrative. Other characters, too, talk much more than they act. Only the figure of Kizu—artist, sensualist, wavering untrue believer—justifies the implied comparisons suggested by numerous pointed allusions to (Oe’s probable specific inspiration) the later novels of Dostoevsky.
Oe (Rouse Up, O Young Men of the New Age, 2002, etc.) is a deeply flawed great writer, and Somersault, alas, is not one of his triumphs.Pub Date: March 1, 2003
ISBN: 0-8021-1738-4
Page Count: 576
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
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IN THE NEWS
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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