Difficult, dark, and uncompromisingly fine.
A somber, haunting debut novel from Irish poet Hardie about a world-weary, financially desperate woman who seeks security for herself and her son by marrying an elderly Anglo-Irish farmer.
Born in Java of mixed parentage, cold-blooded, mercenary Hannie has always lived off men. But her looks are fading with middle age, and she’s penniless after her most recent failed marriage. So Hannie leaves Africa for England, where she meets and marries Ned, a former journalist and world traveler now retired to a farm in the Irish countryside of his youth. They enter marriage pragmatically: Ned wants a companion; Hannie needs financial support and a home for herself and 14-year-old Joss. But once ensconced on Ned’s farm, Hannie feels excruciatingly isolated and unhappy, while Ned is crushed by her unwillingness to reach out to his Anglo-Irish friends and family. To make matter worse, Joss (who arrives from Africa shortly after the marriage) is a deeply troubled boy, possibly psychopathic. Hannie senses the inexorable pull toward disaster as Joss spends more and more time with Ned’s tenant, a lovely and innocent would-be artist named Niamh. The author slowly and relentlessly probes her characters’ psyches: Hannie’s seeming amorality covers a deep sense of loyalty; Ned’s growing love for his wife collides with his sense of social duty; Joss is both unreachable and heartbreakingly needy. Notable among the equally complex cast of supporting characters is Ned’s housekeeper Mrs. Coady, Hannie’s unlikely soulmate, who understands maternal passion because she has lost a child of her own. Tensions build as secrets are half-revealed, but ultimately this elusive novel defies easy summary because so much of the plot occurs in the smallest details and between the lines. Hardie allows no sentimentality or easy conclusion. Despite the reader’s early assumptions about who is moral and who is not, in the end it is Hannie who must forgive Ned’s betrayal.
Difficult, dark, and uncompromisingly fine.Pub Date: Dec. 3, 2002
ISBN: 0-316-07622-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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