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THE BIRD WOMAN

In a voice uncompromisingly tough, without the witty charm or sugarcoating of so much contemporary female-driven fiction,...

Irish poet and novelist Hardie (A Winter Marriage, 2002) digs deep into issues of morality and identity through the voice of a Protestant woman from Derry coming to terms with her inexplicable healing powers while living in Southern Ireland with her Catholic husband.

College student Ellen, daughter of a no-nonsense teacher, marries a conventional, working-class Protestant boy from Belfast. After their daughter dies at birth, Ellen foresees the death of an acquaintance and has a mental breakdown. Out of the hospital but still fragile within her marriage and her sanity, Ellen meets Liam, a sculptor and stonemason. Although she fights it, she recognizes he is her destiny. She leaves her husband and moves to Southern Ireland with Catholic Liam, whom she eventually marries. As much as she loves Liam and enjoys their life with their two children, his friends and his warm, accepting family, Ellen remains an outsider. Infused with the grittier, more violent energy of the Protestant North, she cannot accept the Catholic South’s soft ease. She is also painfully aware that she’s clairvoyant. Although part of Liam’s initial appeal lay in seeing that clairvoyance as a gift, not a sickness, she feels pressured by his embrace of her power. When he discovers Ellen can also heal by touching, Liam nudges her to cash in on it, and she reluctantly bends to his will. Her one friend is Catherine, an emotionally needy but appealing ex-nun who makes commercially popular pottery. When Ellen discovers Catherine’s brief affair with Liam, her life falls apart. Then she learns that her long-estranged mother is approaching death. Returning to the North, Ellen faces realities she has avoided, both about her family of origin and about the family she has created with Liam.

In a voice uncompromisingly tough, without the witty charm or sugarcoating of so much contemporary female-driven fiction, Hardie creates resonant characters unafraid to navigate through the contradictions inherent in every life.

Pub Date: Aug. 22, 2006

ISBN: 0-316-07623-6

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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