A hilariously funny, compact volume about a hotel’s denizens that delivers well-aimed zingers—a winner.
In this comic novel, a young Midwestern woman moves to an eccentric residential hotel in New York City.
Heather Baumhauer, 27, fresh master’s degree in hand, has no intention of staying in her tiny hometown of Poubelle, Wisconsin: “I’m not going to spreadsheet my life away in snowmobile insurance.” She dreams of moving to New York, where she can meet people from other places and have exotic experiences like riding the subway, eating real bagels, and working in “Something just really international.” Desperate for affordable housing, Heather discovers The Zonderling, a residential hotel for women run by the Altruistic Army. The hotel bears some resemblance to the famous Barbizon (“In the world of New York boardinghouses, the Barbizon was an elegant, fashionable sorority house. The Zonderling was a scrappy Muppets’ Happiness Hotel”). Bathrooms are shared, electricity is sketchy, and few rooms have air conditioning—but the rent remains affordable, something of a miracle. A friendly resident named Jennifer Vang fills Heather and her new North Dakotan roommate, Emily, in on other Zonderling denizens: “Stinky Carrie and Porn Lisa, not to be confused with Normal Lisa,” for example, and the infamous Loretta, an elderly longtime resident who annoys everyone. Heather and Emily pursue employment and learn how to get along in New York, finally joining Jennifer to bring Loretta her richly deserved comeuppance. Niebruegge (Mistake, Wisconsin, 2014) is a gifted comedy writer, with the gems coming fast in this zippy novel. She deftly skewers New York types like “classic finance bros” or ventures like the Urban Woodsman Workshop, whose wooden toys are handcrafted upstate: “The toy manager called it ‘farm to playground.’ ” The novel explores the culture clash faced by Emily and Heather with insight as well as humor; it’s not that Midwesterners aren’t aggressive, but they “preferred hate-baking a cake without adding enough vanilla, and giving it to their nemesis with an I-hate-you smile.” Her portrait of The Zonderling, however zany, feels both affectionate and authentic, leaving readers wanting more.
A hilariously funny, compact volume about a hotel’s denizens that delivers well-aimed zingers—a winner.Pub Date: Nov. 30, 2015
ISBN: 978-0-9908710-3-3
Page Count: 170
Publisher: CreateSpace
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 15, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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