Next book

THE SHADOW WAITING ON ITS THRONE

THE BOOK OF SCENT

From the The History of Light series , Vol. 3

Not the saga’s strongest volume, but an entertaining bridge book to what will hopefully be epic concluding installments.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

The third installment of Hincker’s History of Light series takes its urban fantasy saga, featuring unstable former artist Asher Gale, in a much darker—and more apocalyptic—direction.

The story is set in Skysill Beach, an art colony on the Southern California coast that’s part tourist trap and part haven for “sighted” artists who use special ultraviolet paint to compel people to buy paintings. Gale is a possibly mentally ill alcoholic who, as the novel opens, has had visions of his own death on top of a terrifying “ghost mountain.” As tensions rise between the Five Families—the factions that have kept the strained peace among supernaturally gifted people for generations—a critical Conclave is scheduled in Skysill. Meanwhile, Gale is seeing more and more ghosts and is suddenly able to see the circumstances of people’s future deaths when he touches them. He must figure out his place in a complicated world—one in which he’s trying to avoid a 500-year-old power-hungry painter, among other enemies who seek to murder him, and stay away from his psychic girlfriend, Caroline, as he believes that almost certain death will ensue. In addition, he must figure out how to defeat an “eternal ghost.” Hincker’s novel suffers a bit from middle-book syndrome, as it lacks the excitement of an all-new storyline with fresh characters, as well as a satisfying conclusion. It also would have been improved by tighter editing. However, it still manages to deliver the goods, due to the storyline’s rapidly expanding scope, the relentless pacing, and the masterful use of multilayered tension. Gale’s premonitory visions, for instance, will give readers a grim feeling of looming disaster: “everything ends in three months.” However, it’s Gale’s self-deprecating humor that keeps the pages turning; in one high-intensity scene in which Gale is told he should embrace his heroic side and become a “seeker,” he responds: “I have bruises on my bruises…I seek vodka and acetaminophen.”

Not the saga’s strongest volume, but an entertaining bridge book to what will hopefully be epic concluding installments.

Pub Date: Aug. 14, 2023

ISBN: 9798987630181

Page Count: 330

Publisher: Self

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: March 1, 2024

Next book

FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

Next book

THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Close Quickview