by Kevin Jennings ‧ RELEASE DATE: Aug. 15, 2006
Generous and illuminating.
Horatio Alger meets Dorothy Allison in this debut memoir about growing up and coming out.
The author’s father, a fundamentalist minister, died during the boy’s eighth birthday party. The family had always been dirt-poor, and now his mother had to find a way to scrape by on her own. Jennings loved reading, and whenever life in his North Carolina trailer park got him down, he escaped into books. But school was a trial: He was chubby, too smart for his own good—and attracted to other boys. A scholarship to Harvard got him out of the rural South into classrooms and dorms where it was okay to be brainy and, at least in the more progressive corners of Cambridge, okay to be gay. But Jennings’s awakening didn’t end in Harvard Square. The most affecting passages here describe his experiences teaching at elite private schools in New England. His students adored him, but administrators got nervous when Jennings wanted to speak publicly about his sexual orientation. This subtle but unequivocal discrimination eventually led him to found the Gay, Lesbian and Straight Education Network (GLSEN), which works to make schools safe for gay students. Jennings describes the evangelical, racist South in which he grew up, without a trace of condescension. His mother emerges as a heroic, working-class feminist: fighting to keep food on the table, she eventually became the first woman in the Winston-Salem area to break through the glass ceiling at McDonald’s and be promoted to manager. When Jennings came out to her, she was initially perplexed and upset. But seeing that her diffidence was driving a wedge between them, she founded a gay parents’ support group. This memoir, which ends with Jennings delivering the eulogy at his mom’s funeral, would make any mother proud.
Generous and illuminating.Pub Date: Aug. 15, 2006
ISBN: 0-8070-7146-3
Page Count: 288
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
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edited by Kevin Jennings
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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