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BOTH SIDES OF THE LINE

THE TRUE STORY OF A LIFE-CHANGING FOOTBALL MENTOR WHO BECAME A LONGTIME TARGET OF AMERICA'S MOST WANTED

Well-intended but best read by 60-something fans of Boston ball.

Hit the quarterback. Hit the mook. This tale of crime and penalty focuses on a local antihero who did plenty of both.

Kelly, a member of the conference-winning Saint Don Bosco Technical High School team of 1974, tells two stories. The first is a fairly ordinary football memoir: the team owes it all to God and coach, and it’s made up of stock types such as “the guy who always talked the talk because he knew he could back up every word” and the boy who, “easy to talk to…is quiet, intelligent, and dependable.” In this case, the coach, Jack Clyde Dempsey, was an upstanding fellow who had an unusually sophisticated way of reading the field and the stances of the opposing players: “The offensive lineman knows when the ball is being hiked,” he says. “You don’t. Picking up on these clues helps you to neutralize his advantage.” Pop Warner or pro, a player can learn a thing or two from Kelly’s pages when Dempsey talks. There are fine turns in this aspect of the book, as Kelly reveals the scarifying effect of his mother’s suicide and the grit required of a kid growing up motherless and Catholic on the edge of a very bad neighborhood. Less successful is the second story, built on the revelation, mired in mounds of cliché, that Dempsey later moved on to being a hit man for hire, eventually a fugitive and a fixture on the FBI wanted list. There’s not much drama in what ought to be a tense, frightening situation, and the best words here again belong to the now coked-up yet eminently reasonable Dempsey and not the author: “If I hurt someone right away, then we’ll never get our money,” he explains. “But if I’m coming to visit someone three, four times, and they haven’t made a payment, well…things might get a little rough.”

Well-intended but best read by 60-something fans of Boston ball.

Pub Date: July 16, 2016

ISBN: 978-1-61088-169-2

Page Count: 288

Publisher: Bancroft Press

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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