by Kevin R.C. Gutzman ‧ RELEASE DATE: Dec. 13, 2022
Outstanding historical writing.
A long, insightful look at three Founder presidents.
Before Bill Clinton, George W. Bush, and Barack Obama, America’s only consecutive trio of two-term presidents were Jefferson, Madison, and Monroe, a fact of no significance except to trivia buffs, but that earlier “Virginia dynasty” has proved irresistible to scholars. History professor Gutzman, who has written biographies of both Jefferson and Madison, describes their administrations, which extended from 1801 to 1825, a period during which Jefferson’s Republican Party (radical for the time) drove the Washington-inspired Federalists to extinction, governed a one-party nation for a few years, and then retreated as a more numerous and democratic electorate came to dominate. Despite America’s spectacular expansion during this period, Gutzman (and most modern historians) does not give any of its three administrations high marks. Jefferson peaked during the Revolution with the Declaration of Independence and his 1777 Virginia Statute for Religious Freedom, but his conduct as president won America little respect in the dog-eat-dog world of the Napoleonic Wars. Relying on moral suasion and trade embargos to fend off outrages from Britain and France proved disastrous, and he left office under a cloud. Madison, Jefferson’s closest friend, more scholarly and perhaps more politically astute, labored under the disadvantage of playing second fiddle for more than 20 years. Lacking Jefferson’s charisma and continuing his unwise policies—especially his fierce government frugality—left the U.S. unprepared for the War of 1812. Unlike most historians, Gutzman gives Monroe equal time. Hardly a scholar but an experienced politician, he was president during eight postwar years, dealing unimaginatively but not disastrously with several looming problems, including slavery, banking, and the loose cannon that was Andrew Jackson. Political histories are rarely page-turners, but Gutzman, clearly a scholar who has read everything on his subjects, writes lively prose and displays a refreshingly opinionated eye for a huge cast of characters and their often unfortunate actions.
Outstanding historical writing.Pub Date: Dec. 13, 2022
ISBN: 978-1-250-13545-2
Page Count: 608
Publisher: St. Martin's
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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