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CASTLE OF LIES

Compelling characters and worldbuilding are let down by an unengaging plot.

Secrets abound and elves invade in this multiperspective fantasy.

Readers are welcomed into the corridors of Four Halls castle through four first-person, present perspectives. There’s tenacious Thelia, her eyes set on the crown; quick-witted Parsifal, whose facial disfigurement is ridiculed; Bayled, the king’s ward and heir; and Sapphire, a nonbinary elf who overtakes Four Halls along with an elite elven crew. Though these elves arrive to prevent a dangerous overflow of Magic, their ruthless methods petrify the humans and shock Sapphire, who expected the invasion to be nonviolent. As conditions worsen for the humans, Thelia, Parsifal, and Bayled work to overthrow the elves, with Sapphire showing signs of going turncoat as they develop affection for their captives. The narrative’s strength lies in its strong-willed characters and deeply developed world, but these don’t make up for a slow-moving plot, unconvincing emotional beats, and a lack of agency among protagonists. While the split perspectives initially create intrigue by letting readers in on secrets and lies, later they lead to duplicated information reveals and contribute to the story’s slow pace. Life-threatening situations and complicated romantic entanglements receive equal attention; an explicit sex scene between cousins will likely take readers by surprise, though a blooming polyamorous relationship is a refreshing addition. Protagonists are diverse in skin color, sexuality, and gender.

Compelling characters and worldbuilding are let down by an unengaging plot. (map) (Fantasy. 16-18)

Pub Date: May 7, 2019

ISBN: 978-1-5124-2997-8

Page Count: 352

Publisher: Carolrhoda

Review Posted Online: Feb. 9, 2019

Kirkus Reviews Issue: March 1, 2019

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THE DA VINCI CODE

Bulky, balky, talky.

In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.

But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.

Bulky, balky, talky.

Pub Date: March 18, 2003

ISBN: 0-385-50420-9

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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THE STARS WE STEAL

A thrilling romance that could use more even pacing.

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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