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OBSCENE BODIES

An assured debut that blends satire of the Manhattan art world with a minor-key morality tale of an art historian seduced by Soho. Stuart Finley, an assistant curator at the Metropolitan Museum at the tender age of 28, is smug in his role as protÇgÇ of an esteemed Old Masters expert. When he meets Claire, an assistant from Sotheby's whom he's seen and admired around town, he invites her for a behind-the-scenes tour of the museum; she brings her Rollerblades and spins around the Temple of Dendur. But the blossoming flirtation is marred by one question: What's her relationship to the much-hyped painter Miles Levy? Stuart dines with the painter, and prissily defends the concept of connoisseurship while worrying about Miles's arm around his new lover's waist. It turns out that Claire lives with the artist, but she promises that they're no longer involved. Soon Stuart is hanging with the gang at Miles's loft and watching David Lieberthal, Miles's dealer, dazzle Silicon Valley poseurs into paying six figures for Miles's insipid work. One night during a post-coital interlude in Claire's room, Stuart hears shouting and is the accidental witness to a confrontation between Miles and his assistant that ends with the assistant's death. Stuart gets sucked up in the damage control. Then Stuart's mentor dies and is posthumously implicated in WW II art thefts. It's not long before Stuart takes Miles's advice to ``quit resisting'' and trades in the clubby confines of the Met for the clothes allowance that comes with a job at David Lieberthal's gallery. What elevates these busy goings-on above the realm of soap-opera is Stuart's appealing complexity: He retains some of his tortured self-consciousness even as he descends down the slippery slope into terminal fabulousness. Gentle but on-target satire, then, buttressed by Benabib's copious and clearheaded knowledge of the world he portrays.

Pub Date: Sept. 1, 1996

ISBN: 0-06-017437-4

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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