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CROSSING THE BORDER

AN EROTIC JOURNEY

The author of Sex and Other Sacred Games (1989) and In My Mother's House (1983) gives a breathless account of a series of sexual encounters she experienced on an Israeli kibbutz in the early 1970's—of possible interest only to those who were there. Living in Berkeley with an eight-year-old daughter and a kind, generous man who goes otherwise unmentioned in this account, 31- year-old Chernin suffered periods of debilitating depression for which she could imagine only one cure—a trip to Israel, where she hoped to establish a place for herself on a border kibbutz. Arriving in a straw hat, low-cut yellow blouse, long skirt and hand-made leather sandals, Chernin steps onto the grounds of the small, experimental kibbutz—whose members number around 60 and are nearly all under 30 years old—determined to make a splash. She proves her worth the first night by washing the communal dinner dishes ``like magic.'' She then plows through a series of other jobs over the next few weeks while initiating an affair with a confused young man named Simon. Now, 20 years later, Kim Chernin (or Kim's survivor, as the author now describes herself, the original Kim having spiritually expired by now) attempts to piece together, through letters, telephone calls, and reunions with several of those who were present, what went wrong on the kibbutz. She uncovers a story of romantic deceit and intrigue revolving around an affair between Chernin and one of the kibbutz's most popular female members. Chernin's descriptions of lovesick young farm workers chasing one another round and round the grounds would have provided excellent grist for Shakespeare's comic mill, but the author, sadly, fails to see the humor. Instead, she reminisces sentimentally about those footloose days, wonders whether she could still attract her former male lover, broods briefly over her daughter's happiness, and, most passionately, searches for Kim Chernin, her long-lost inner child. Spare us.

Pub Date: March 1, 1994

ISBN: 0-449-90522-5

Page Count: 336

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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