An artfully rendered tale of homicide and family intrigue.
Ekemar (The Complete Callaghan Tetralogy, 2015, etc.) presents a murder mystery set in a vineyard in the French countryside.
Patrice LaFarge is the cantankerous owner of the Clos Saint-Jacques estate and vineyard, a property of considerable commercial value. After a bitter dispute with his brother over inheritance-related issues, Patrice resolves to keep his holdings fully intact and prevent future development by others. However, he worries that his wishes won’t be respected by three of his children, who are all emotionally estranged from him. Henri is the most irresolute of the bunch and in constant need of financial support. Constance, who lives in Paris and works as a music hall artist, also squanders her money and regularly looks to Patrice for assistance. Michel, the eldest child, is a financially savvy businessman, but Patrice frets that he’ll sell his share of the land as soon as a good deal presents itself. Patrice consults with his lawyer and creates a fidei-commissum, a kind of trust in which the bank supervises the property and prevents its sale or development; it also funnels the income to the three siblings as well as Gaspard, a child from one of Patrice’s affairs, who runs the property. Patrice presents this plan to his progeny as a work in progress, and he locks the not-yet-notarized version in his room, using a key that he asked Gaspard to make. When the whole family meets to discuss the plan, they’re predictably enraged, and shortly after Patrice dies in a fire while locked in his own room. Inspector Jean-Claude Rimbaud is called in to investigate what increasingly looks like a homicide. Veteran author Ekemar puts the plot at a slow simmer, trickling out pertinent information while also maintaining suspense. There’s no shortage of motives among the characters; the lives of the siblings are full of personal disarray of one kind or another, making them each prime candidates for committing the crime. That said, these same characters could be more fully developed; Ekemar has a tendency to overexplain their quirks, rather than letting them reveal themselves through action and dialogue. Still, this book remains an intelligently fashioned mystery, giving its readers just enough information to be enthralled, but not so much that they become bored by predictability.
An artfully rendered tale of homicide and family intrigue.Pub Date: Aug. 15, 2016
ISBN: N/A
Page Count: 171
Publisher: Bradley & Brougham
Review Posted Online: May 16, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
